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| Search Results for "tiffany table lamp" |
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A Tiffany Studios New York silvered glass and bronze “Fern” table mirror, featuring an elaborate and intricately pierced and sculpted patinated bronze base decorated with stylized fern leaves. Pictured in: Tiffany at Auction by Alastair Duncan, p. 46, cat. no. 126, and: Tiffany Lamps and Metalware, by Alastair Duncan, page 402 plate #1628.
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Artist: Tiffany
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| Signed: "Tiffany Studios New York 69200." |
| Circa: 1910 |
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An American Art Nouveau bronze and favrile glass mounted table candelabrum by Tiffany Studios New York. A similar candelabrum is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 385, plate 1571.
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Artist: Tiffany
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| Signed: Tiffany Studios New York |
| Circa: 1910 |
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Rare gilt bronze table by Tiffany Studios New York. A similar table is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 400, plate 1620, # 889.
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A Tiffany Studios New York glass and bronze “Clematis” table lamp, featuring multi-hued glass depicting clematis flowers, atop a patinated bronze base which has a jeweled accouterment above a ribbed, circular foot. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 98, plate 141.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 9248” |
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A Tiffany Studios New York glass and bronze “Nasturtium” table lamp, featuring a leaded glass shade depicting red, orange and pink blossoms on a variegated translucent green ground, atop an intricately sculpted patinated bronze base. Shade signed “Tiffany Studios New York 1588-3”; base signed “Tiffany Studios New York 360.” Shade pictured in “Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models” by Alastair Duncan, p.162, plate #1533.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 360” |
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A Tiffany Studios New York glass and bronze “Arrowroot” table lamp, featuring a leaded glass shade depicting mottled green and yellow arrowroot flowers on a white and blue ground, atop a patinated bronze “Tyler” base.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 368” |
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A Tiffany Studios New York glass and bronze “Tulip” table lamp, featuring a leaded glass shade decorated with red tulips against a mottled white and green ground. The shade sits atop a patinated bronze three-light “Empire” base, with three white and green Favrile glass electrified candlesticks decorated with a “pulled-feather” design.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 530” |
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A Tiffany Studios New York “Daffodil” glass and bronze table lamp, featuring a bouquet of yellow daffodils with green leaves against a rare confetti glass ground. The confetti glass, because of the varied ways it refracts the light, gives the daffodils added dimension and makes them look more like real flowers. A light green border further decorates the shade that sits atop a patinated bronze “Twisted Vine” base.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 443 |
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A Tiffany Studios New York "Mandarin" table lamp. The leaded glass shade, graduates from green to white, on a patinated bronze base designed to accompany the shade. A similar lamp was used to decorate the living room at Falling Water, the famous Frank Lloyd Wright-designed home in rural Pennsylvania. Pictured in, The “Lost” Treasures of Louis Comfort Tiffany, by Hugh F. McKean, figure 197.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 1458” |
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A Tiffany Studios New York "Lily Pad" glass and bronze table lamp featuring a leaded glass shade depicting lily pads floating upon sparkling water, atop a patinated “Twisted Vine” bronze base which features a tendrled shade rest.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York S220 443 |
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A Tiffany Studios New York glass and bronze "Pansy" table lamp shade, featuring multi-colored pansy blossoms on a mottled green and white glass ground, atop a four-footed patinated bronze "Library" base. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 86, plate 122. A similar base is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 106, plate 429, base # 546.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 546” |
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A Tiffany Studios New York "Dragonfly" leaded glass and patinated bronze table lamp. Featuring mottled red and orange dragonfly bodies, mottled blue, cyan and mauve wings with multi-colored eyes, against a mottled green cyan ground with green trim. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 105, plate # 153.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 359 |
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A Tiffany Studios New York glass and bronze “Woodbine” table lamp, featuring woodbine leaves in mottled green “Drapery” glass against a background of translucent green “Confetti” glass. The shade sits atop a blown glass and patinated bronze base. The Byzantine look of this lamp is enhanced a hanging fringe of metal balls surrounding the bottom edge of the shade. A similar base and shade are pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 43, plate 134.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York” |
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A Tiffany Studios New York "Dogwood" glass and bronze table lamp. The shade is comprised of white dogwood blossoms with green leaves and yellow centers against a sky blue confetti glass ground. The carefully applied confetti glass, a band of mottled green glass, and the rare irregular border give the the lamp added luminescence and delicacy, as if it were made from real dogwood blossoms. The shade sits atop a patinated bronze “Tyler” base. The lamp base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 77, fig. 298, base # 368.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 368 |
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A Tiffany Studios New York “Wire Mesh Poppy” glass and bronze table lamp. The shade features variegated leaves in different shades of green together with brilliant red colored poppy blossoms at various stages of bloom. The blossoms and leaves are further accentuated by blue and purple buds and flower centers and are set against a golden mottled glass ground with a light blue geometric border. Wire mesh is used to denote the pistils and stamens of the poppy blooms and the delicate veining of the leaves. The shade sits atop a patinated bronze four-footed decorated “Bump” base. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 97, plate 140. A similar base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 75, cat 289, base # 364.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 28617 |
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A Tiffany Studios New York "Tulip" table lamp. The shade features brilliant red tulips with green leaves against a blue ground and sits atop a gilt bronze “Mock Turtle” base. The flowers are recreated with stunning realism. In some cases, all six petals of some of the blossoms can be seen. The tulips are ingeniously overlapped to create the illusion of depth. Because of the sky blue ground on the upper portion of the shade and the earthy tones present throughout the lower apron, one has the impression of gazing at a tulip bed on a sunny afternoon. The lamp base and shade are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd.: base, p. 110, cat. 454, base # 587; shade, p. 167, cat. 682, shade # 1548. A similar shade is also pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 150, plate 212.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: Tiffany Studios New York 587 |
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A Tiffany Studios New York Peacock leaded glass and bronze table lamp. The peacock was one of Tiffany’s favorite motifs. Here, brilliantly colored peacock feathers against a rich purple ground create the pattern of the shade with the quills of the feathers prominently visible and the twenty peacock eyes arranged in two staggered rows. Brick borders of green and yellow mottled glass and a scalloped apron further decorate the shade which sits atop a patinated bronze “Peacock” base specially designed for it. The play of light through the mottled glass, with its regal color palate, imbues the shade with the iridescence and beguiling mystery of real peacock feathers. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 139, plate 197. The shade is also pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 142, cat. 592, shade #1472. Provenance: Sotheby’s London, The Elton John Collection, Volume III, 7 September 1988, lot 619. Sotheby’s New York, 6 June 2003, lot 428.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: Tiffany Studios New York 9449 |
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A Tiffany Studios New York wire mesh "Poppy" leaded glass and gilt bronze table lamp. The shade features brilliant red poppy blossoms with hits of blue and amber in various stages of bloom and a band of green leaves against a golden ground. Wire mesh centers delineate the pistils and stamens of the blossoms in full bloom and wire mesh is also applied as the veining for the leaves. The shade is further decorated with a lower green-and-yellow brick border and sits atop a gilt bronze “Ribbon” base. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 97, plate 139.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: Tiffany Studios New York |
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A Tiffany Studios New York “Nautilus” table lamp. This lamp features a nautilus shell shade set within a gilt patinated bronze tendril vine base. The base is further decorated with iridescent glass cabochon jewels. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 86, cat 333, base #402.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 402 - S1331 |
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A Tiffany Studios New York "Elizabethan" leaded glass and bronze table lamp. The shade is comprised of eight panels. The typically arabesque design stems from a purplish-blue centered oval shape, surrounded by thin strips of mottled yellow and orange glass. A network of sinuous serpentine forms originates at the oval and spreads in every direction. Twenty-four assorted jewels add extra richness to each panel. In this fantasy of shape and color, each eye detects different images of flowers, figures, and faces. The workmanship of this lamp is particularly noteworthy,both because of the large number of leaded pieces involved and the intricacy of the winding and twisting shapes. In addition, each purplish-blue segment is composed of a double layer of glass. While this technique was often employed in Tiffany windows, one rarely encounters it in the construction of shades. The shade sits atop a rare gilt bronze Renaissance style base, in the Four Virtues pattern, with four light sockets and a tapering square columnar standard depicting a different woman on each of the four sides above the inscriptions Veritas, Charitas, Fides and Puritas (Truth, Charity, Loyalty, and Purity). Shade signed, “Tiffany Studios New York 1954” Base signed, “Tiffany Studios New York 557” A similar lamp is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007. p. 195, plate 762, shade # 1954. The base is also pictured and described in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 71.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 557 |
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A Tiffany Studios New York "Ten-Light Lily" lamp, featuring ten golden Favrile glass shades suspended above a gilt bronze lily pad base. A similar lamp is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 80, plate 310, base # 381.
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A Tiffany Studios New York "Dragonfly" leaded glass and bronze table lamp. The shade features dragonflies with blue bodies and rose colored wings against a brilliant multicolored rippled glass ground. A similar lamp is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007: p. 94, plate 373.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 6092 |
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A Tiffany Studios New York “Acorn” glass and bronze table lamp. The shade features a mottled orange, yellow and green acorn vine against a mottled green glass geometric ground and sits atop a patinated bronze “Art Nouveau” base. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 63, plate 86.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 337 |
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A Tiffany Studios New York glass and bronze "Belted Turtleback" table lamp, featuring a large band of iridescent green “Turtleback” tiles against a mottled brick pattern ground, atop a patinated bronze “Pot” base.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 171” |
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A Tiffany Studios New York "Gentian" table lamp. The shade is composed of leaded green, blue and white glass featuring floral stalks enclosed in Gothic arches. The middle row of the flaring apron is comprised of a row of uncut green gems. The patinated bronze base features openwork floral stalk decoration. Pictured in: The Lamps of Tiffany by Egon Neustadt, p. 64, no. 90
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Artist: tiffany
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| Base Signed: Tiffany Studios New York 871 |
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A Tiffany Studios New York glass and bronze “Geometric” table lamp, featuring a mottled orange, yellow and green leaded glass shade atop an intricately sculpted patinated bronze base. Pictured in: Tiffany at Auction by Alastair Duncan, Rizzoli International Publications, New York, 1981. Page 87, 221.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York” |
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A Tiffany Studios New York “Jonquil-Daffodil” leaded glass and bronze table lamp, featuring orange/yellow jonquils in the upper portion and white petaled flowers with orange/yellow centers in the lower portion, all resting on a green leafed ground. The shade rests on a patinated bronze decorated cushion base.
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Artist: Tiffany
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| Circa: 1905 |
| Base Signed: “25883 Tiffany Studios New York” |
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Tiffany Studios “Tulip” table lamp with pink and red flowers on a blue and green ground, accented by two bands of glass, blue at the top and green at the bottom of the shade, respectively. The shade sits atop a four footed bronze "Pineapple" base.
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Artist: tiffany
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| Circa: 1900 |
| Base Signed: "Tiffany Studios New York 338” |
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Tiffany Studios "Linenfold" table lamp, with 12 golden glass panels, atop a patinated bronze mock turtle base. A similar lamp is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 110, plate 454, base #587, shade # 1927.
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Artist: Tiffany Studios
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| Circa: 1927 |
| Base Signed: Tiffany Studios New York 587 |
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A Tiffany Studios New York glass and bronze “Daffodil” table lamp, featuring a leaded glass shade depicting daffodil flowers against a blue ground, atop a patinated bronze “Mock Turtle” base.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 28619” |
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A Tiffany Studios New York glass and bronze “Tulip” table lamp, featuring deep red and pink tulips on a green, brown and yellow ground, atop an unusual enameled copper base. Similar “Tulip” lamp pictured in: The Lamps of Louis Comfort Tiffany, by Martin Eidelberg and Nancy A. McClelland, p. 148, pl. 37.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: “Tiffany Studios New York 333” |
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