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| Search Results for "french art nouveau glass" |
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A French Art Nouveau satin-finished cameo glass vase, “Fleur de Coloquinte”, by Daum, featuring the depiction of zucchini leaves and flowers in pale green, against a mottled opaque white and orange ground. The vase features the soufflé, or “blown-out” technique, making the leaves and flowers stand out from the shape of vase. Pictured in: Daum - Maitres Verriers, by Edita Denoel, Edita S.A. Lausanne, 1980, p. 61.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, depicting berries on branches in hues of browns, reds and greens, against a mottled white and blue ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, featuring berries on branches in hues of browns, reds and greens, against a mottled white and blue ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau “Marquetry” cameo glass vase by Emile Gallé, featuring magnolia blossoms in carved marquetry glass against a reddish and cream ground, with ruffled top and foot. The vase was exhibited at the Paris 1900 World Exposition. Original water color of this vase pictured in “Zoom sur Emile Gallé”, by Denise Bloch, page 26.
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Artist: Gallé
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| Signed: "Gallé 1900” |
| Circa: 1900 |
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A French Art Nouveau cameo glass “Snow Drop” vase by Daum, featuring carved light blue flowers on brown stems against a mottled white and blue ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Emile Gallé, featuring carved light brown and yellow orchids against a mottled opaque and translucent ground. The vase sits atop a gilt bronze foot decorated with carved leaves.
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Artist: Galle
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| Signed: “Emile Gallé”, and on the bronze foot, “Escalier de Cristal” |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Emile Gallé, featuring a large carved purple and orange iris flower against a two-toned clear and purple ground. Gallé’s observational skills and study of flora rivaled botanists of his day and he published several articles on horticulture for the Lorraine region. His scientific interests undoubtedly informed his creative process. The wheel-carving technique allowed him to articulate the delicate veining of the flower petals and leaves. Silver foil, suspended between the layers of glass, adds an abstract element to the vase. Similarly, the artist’s color palate plays upon sunrise and sunset and the allegory of day and night. Circa 1900.
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Artist: Gallé
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| Signed: Gallé |
| Circa: 1900 |
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A French Art Nouveau vase by Emile Gallé, featuring a delicate multi-colored “onion” finish, further accented with an intricate silver overlay at the top depicting stylized leaves on vines.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a stylized depiction of carved white and green daisies, against a mottled pink and green martelé ground.
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Artist: Daum
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| Signed: “Daum Nancy”, with the Croix de Lorraine |
| Circa: 1900 |
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A superb and rare French Art Nouveau marquetry vase by Emile Gallé featuring internally decorated, engraved and inlaid glass. Engraved “gallé“.
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Artist: Gallé
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| Signed: gallé |
| Circa: 1900 |
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A French Art Nouveau glass and wood footed bowl by Emile Gallé, featuring a multicolored pinched-sided glass bowl in yellow, purple, and green. The bowl sits atop a carved walnut foot with openwork floral design and scrolled base. Pictured in Muebles Et Ensembles Style 1900, by Edith Mannoni, page 54. Provenance: Private collection of Mr. Robert S. Walker.
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Artist: Galle
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| Signed: Gallé |
| Circa: 1900 |
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A French Art Nouveau cameo glass bowl by Daum. The glass vessel features an etched and enameled mushroom decoration in shades of green, orange, and brown against a mottled yellow, orange and cream background surrounding the entire bowl. The neck of the bowl at each wide point is decorated with a cameo and enameled pine cone, bows and needles.
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Artist: Daum Nancy
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| Signed: ''Daum Nancy'' with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Deco pâte-de-verre “Fleurs de Pêcher” vase, by Gabriel Argy-Rousseau featuring peach blossoms on a purple and cream mottled ground. Pictured in: G.Argy-Rousseau: Les Pâtes de Verres, catalogue raisonné by Janine Bloch-Dermant (Paris: Les Editions de l’Amateur, 1990), page 181, cat. no. 20.04.
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A French Art Nouveau glass vase by Daum featuring a translucent butterfly floating above a pink, orange and gold background.
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Artist: Daum
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| Signed: Daum Nancy |
| Circa: 1900 |
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A French Art Nouveau etched and enameled glass “Rain and Wind” scenic vase by Daum, featuring a detailed landscape with blowing wind and rain, bending the branches of the trees.
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Artist: Daum
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| Signed: “Daum Nancy”. with the “Croix de Lorraine''. |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass bud vase by Daum, featuring eggplant and rose colored flowers against a purple and smoky rosey-hued ground. The wheel-carving technique was used frequently by creators of art glass during the 1900s because it allowed them to generate the ”whiplash” motifs and undulating and flowing lines associated with Art Nouveau. The method involved layering the glass and setting it aside to cool. The glass was then carved using a grinding wheel.
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Artist: Daum
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| Signed: “Daum Nancy” |
| Circa: 1900 |
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A French Art Nouveau cameo glass “Rain and Wind” scenic vase by Daum, featuring a detailed landscape of trees whose branches are bending under wind and rain. The highly carved vase is accented with painted enamel, creating subdued hues of pinks and greens.
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Artist: Daum
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| Signed: “Daum Nancy,” with the Croix de Lorraine. |
| Circa: 1900 |
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A French Art Nouveau wheel carved cameo glass vase by Daum, featuring an Iris atop a beautiful pink and mauve mottled background.
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Artist: Daum
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| Signed: Daum Nancy |
| Circa: 1900 |
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A French Art Nouveau set of two wheel-carved cameo glass bottles with stoppers.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass “Peacock” vase by Daum. The sea green vase is decorated with raised peacock feathers featuring striking two-toned blue centers.
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Artist: Daum
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| Signed: ''“Daum Nancy,” with the Croix de Lorraine.''. |
| Circa: 1900 |
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A French Art Nouveau carved cameo glass bottle with stopper.
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of blue flowers and light blue/grey stems and leaves on an opaque, mottled white and yellow ground.
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Artist: Daum
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| Signed: ''“Daum Nancy France” with the Croix de Lorraine.''. |
| Circa: 1910 |
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A French Art Nouveau vase by Daum depicting a winter landscape against an amber colored ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau “Eau de Toilette Kantirix” perfume bottle designed by Hector Guimard for Felix Millot for the Exposition Universelle 1900. For the 1900 Universal Exhibition Hector Guimard, architect and decorator, buit and decorated the pavillion for the Felix Millot Parfumerie, where three new perfume lines “Violette”, “Primialis” and “Kantirix” were introduced. The glass is numbered and signed with the designer’s and maker’s marks and decorated with applied labels with the perfume and perfumer names.
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Artist: Guimard
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| Signed: Monogrammed “HG” along with the name of the Perfumerie “F. Milliot Les Petits Fils de F.Milliot and numbered 69 on the base. |
| Circa: 1900 |
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A French Art Nouveau acid etched with applied hand carved snail vase by Daum. This vase depicts grapes, leaves and blossoms against a gold and lavender ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau mold-blown cameo glass vase by Daum. This vase depicts an autumn treescape with bare trees and thistle plants against a rosy hued sunset.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass bowl by Emile Gallé, featuring a large carved flower against a two-toned clear and purple ground. A piece of metallic foil is suspended between the layers of glass, adding an abstract element to the bowl.
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Artist: Gallé
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| Signed: "Gallé” |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, comprised of three pinkish-red poppy flowers wheel carved to show different stages of bloom, against a sky blue martelé technique background, with brown foliage and peach tones towards the bottom to represent the rising sun. Circa 1900.
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Artist: Daum
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| Signed: Daum Nancy with the Cross of Lorraine |
| Circa: 1900 |
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French Art Nouveau cameo glass bud vase by Daum. The sandblasted vase features wheel-carved orange and mauve tulips with gold accents. The tulips rest atop a tangerine background which transitions to light green.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau wheel carved vase by Daum, featuring light blue columbine flowers with dark green stems and leaves against a blue and green ground.
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Artist: Daum
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| Signed: Daum Nancy and marked with the Cross of Lorraine |
| Circa: 1900 |
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A French Art Nouveau "wheel-carved" cameo glass vase by Daum. Deep purple flowers are featured against a plum and blue background.
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Artist: Daum
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| Signed: Daum Nancy," with Croix de Lorraine |
| Circa: 1900 |
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French Art Nouveau "Winter Landscape" vase with an inverted lip, by Daum Nancy. The etched and enameled glass vase depicts trees in a barren meadow, a forested background against an amber and orange sky.
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Artist: Nancy Daum
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| Signed: “Daum Nancy" with the Cross of Lorraine. |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase with a martelé surface and acid-cut background, depicting crocuses in three colors, by Daum.
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Artist: Daum
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| Signed: Daum Nancy with the Cross of Lorraine |
| Circa: 1900 |
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A French Art Nouveau martelé cameo glass “Dandelion” vase by Daum.
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Artist: Daum
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| Signed: Daum Nancy” and marked with the Cross of Lorraine |
| Circa: 1900 |
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A French Art Nouveau martelé cameo glass “Bachelor Button” vase by Daum.
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Artist: Daum
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| Signed: Daum Nancy” and marked with the Cross of Lorraine |
| Circa: 1900 |
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A French Art Nouveau mold blown glass vase by Daum depicting trees in relief against an orange, yellow and green ground, evocative of fields and a sunset.
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Artist: Daum
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| Signed: Daum Nancy |
| Circa: 1900 |
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A French Art Nouveau pâte de verre “Frog” paperweight by Amalric Walter and Henri Bergé. A similar paperweight is pictured in Amalric Walter (1870-1959) by Keith Cummings, Kingswinford (UK): Broadfield House Glass Museum, 2006, page 20, plate 19.
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A French Art Nouveau cameo glass egg shaped vase by Daum, depicting the story of St. Francis and the wolf. The entire vase is etched and enameled with, the foot decorated in gilt flowers. The top decorated in gilt as well.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau glass trefoil vase by Daum, featuring blue glass etched and enameled with a winter and bird motif.
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Artist: Daum
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| Signed: DAUM, NANCY |
| Circa: 1900 |
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A French Art Nouveau vase by Daum featuring white glass with an etched and enameled Spring landscape motif.
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Artist: Daum
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| Signed: DAUM, NANCY |
| Circa: 1900 |
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A French Art Nouveau vase by Daum featuring pink glass with an etched and enameled Spring landscape motif.
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Artist: Daum
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| Signed: Daum, Nancy |
| Circa: 1900 |
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An artistic French Art Nouveau orchidée vase by Daum featuring pink cameo overlay naturalistically modeled as a languid orchid. The influences of Japanese culture permeated fin de siècle Paris and could be felt in museums and in homes. Similarly, a nascent fascination with natural forms, found in publications of the day like Ernst Haeckle’s Kunstformen der Natur, manifested itself in a proliferation of flowers in French art and design and in an intese investigation of flora where artists rivaled botanists. This piece borders on abstraction. The Orchid, splayed open and surrounded by copious pollen spores, is imbued with feminine sensuality. The imaginative color palate and curving lines surpass the glass design standards of the day and render this piece a beguiling objet d’art. Circa 1900. Signed, ''Daum, Nancy''. Dimensions: 5'' high x 12½ '' wide x 3½ '' deep.
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Artist: Daum
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| Signed: Daum, Nancy |
| Circa: 1900 |
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A French Art Nouveau clear glass vase with green cameo overlay in a squash blossom motif by Daum.
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Artist: Daum
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| Signed: Daum, Nancy |
| Circa: 1900 |
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A French Art Nouveau fire-polished, applied and opalescent cameo glass two-handled vase by Emile Gallé. The vase features poppy blossoms and fern leaves in brilliant shades of red and magenta on a clear ground with deep red accents. 7½ '' diameter x 10'' high
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Artist: Galle
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| Signed: Cristallerie d' Emile Gallé à Nancy Modèle et décor déposés |
| Circa: 1900 |
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A French Art Nouveau pâte-de-verre “Médallions Fleurs” vase by Gabriel Argy-Rousseau. Pictired in Les Pâtes de Verre: G. Argy-Rousseau, Catalogue Raisonné, by Janine Bloch-Dermant, Paris, 1990, pp. 68 and 206.
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Artist: Argy-Rousseau
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| Signed: G. Argy-Rousseau and France |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a raised green peacock feather decoration with two-toned blue centers, against a blue and sea-green ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, decorated with deeply wheel-carved green flowers on rose and pink ground, with applied foot.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, featuring a decoration of carved and etched flowers and grasses on a mottled pastel yellow and pink background.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo-glass stoppered bottle by Emile Gallé, featuring a decoration of a dark maroon carved lily over a light blue background.
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Artist: Gallé
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| Signed: "Cristallerie de Gallé”, and, “Modéle et Secor Deposés” |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Burgun & Schverer, featuring a decoration of enameled thistles on a carved brown and rust-colored ground.
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Artist: Burgun & Schverer
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| Signed: “Verrerie D’Art de Lorraine,” and, “B.S. & C.,” and with the Croix de Lorraine. |
| Circa: 1900 |
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A rare French Art Nouveau marquetry vase by Emile Gallé featuring internally decorated, engraved and inlaid glass. The flowers and leaves are heavily wheel-carved. This vase was exhibited at the Paris Exposition Universelle of 1900.
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Artist: Gallé
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| Signed: "Gallé", and, "Expos. 1900" |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Burgun & Schverer, featuring deeply-carved stylized pink orchids with green leaves, against a striated crimson and partially translucent ground. This vase is enhanced with gold edging along the top rim and on some abstract star-burst designs surrounding the orchids.
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Artist: Burgun & Schverer
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| Signed: “Verrerie D’Art de Lorraine,” and, “B.S. & C.,” and, “déposé,” and with the Croix de Lorraine. |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Burgun & Schverer, featuring a decoration of pink clematis flowers on vines with leaves, against a light green and partially translucent ground, further decorated with crimson swirls.
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Artist: Burgun & Schverer
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| Signed: "B S & Co. Verrierie d'Art de Lorraine" |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, featuring an etched and enameled wintery forest scene against a mottled dark orange ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass covered box by Daum, featuring a carved multi-hued autumnal decoration.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, featuring a harbor scene with boats, and the setting sun in the background.
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Artist: Daum
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| Signed: “Daum Nancy”, with the Croix de Lorraine. |
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A French Art Nouveau cameo glass vase by Burgun & Schverer, featuring a decoration of lavender flowers on a cream and crimson ground. The top and base are further decorated with silver floral filigree. Vase in similar motif pictured in: Glas des Art Nouveau die Sammlung Gerda Koepff, by Helmut Ricke & Eva Schmitt, Prestel, 1998, page 163.
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Artist: Burgun & Schverer
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| Signed: “Verrerie D’Art de Lorraine,” and, “B.S. & C.,” and with the Croix de Lorraine. |
| Circa: 1900 |
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A French Art Nouveau lithograph by Alphonse Mucha titled "Moet & Chandon/Grand Crémant Impérial," printed by F. Champenois, Paris. One of a number of designs created by Mucha for Moet & Chandon, this poster functioned as an advertisement for one of their brand name champagnes, Grand Crémant Impérial. The poster features a beautiful young woman dressed in luxuriously patterned fabrics and intricately rendered fine jewelry. The girl, whose upper body is framed by a Romanesque style aureole, leans on a chair decorated with lion heads while holding a champagne glass.
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Artist: Mucha
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| Signed: “Mucha” |
| Circa: 1900 |
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A French Art Nouveau glass pâte-de-verre tray designed by Henri Bergé and executed by Amalric Walter, featuring green and turquoise foliate tray adorned with yellow and brown open-winged moths.
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Artist: Walter
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| Signed: “A Walter Nancy” and “Bergé SC” |
| Circa: 1920 |
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A French Art Nouveau glass pâte-de-verre paperweight (press-papiers) designed by A. Finot and executed by Amalric Walter, cast in the form of a female nude with brown hair reclining on a bed of leaves colored in various tones of yellowish/orange and green. A similar piece, entitled Femme couchée, is pictured in: La pâte de verre, by Nöel Daum, Paris: Edition Denöel, 1984, page 105, plate 129.
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Artist: Walter
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| Signed: “A. Finot”, and, “A. Walter Nancy” |
| Circa: 1913 |
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A French Art Nouveau glass pâte-de-verre tray designed by Henri Bergé and executed by Amalric Walter, featuring yellow, orange and green striations. The tray is adorned with an ocean scene featuring a blue/green crab atop seaweed. A similar tray is pictured in Almaric Walter (1870-1959) by Keith Cummings, Kingswinford (UK): Broadfield House Glass Museum, 2006, page 73 plate 113.
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Artist: Almaric Walter
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| Signed: “A Walter Nancy” and “Bergé SC” |
| Circa: 1900 |
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A French Art Nouveau pâte-de-verre floral form vase by Amalric Walter. The vase depicts a light pink flower with clearly formed petals that graduate to a deep rose color towards the base, which is comprised of brownish green leaves. Flowers were explored by many Art Nouveau artists , several of whom studied botany. Almaric Walter represented flowers and insects in many of his pâtes-de-verre.
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Artist: Walter
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| Signed: “A Walter Nancy” and “Bergé SC” |
| Circa: 1900 |
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A French bas-relief glass pâte-de-verre plaque by Henri Cros, featuring the depiction of a mythical dragon or sea creature in hues of pink, against a crystal-like ground. This is an experimental plaque by the originator of the revival of the ancient pâte-de-verre process.
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A French Art Nouveau pitcher by Daum depicting leaves and vines against a blue ground.
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Artist: Daum
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| Signed: Daum Nancy” with the Cross of Lorraine |
| Circa: 1900 |
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A French Art Nouveau pâte de verre dish by Amalric Walter and Daum Freres, featuring a crab on a red. yellow and amber, wave shaped ground. Walter made a number of dishes with crab motif: see Amalric Walter (1870-1959) by Keith Cummings, Kingswinford (UK): Broadfield House Glass Museum, 2006, pp. 18 (plate 15), 24-26 (plates 27, 30, 32); Carved & Decorated European Art Glass, by Ray and Lee Grover, Rutland, VT: Charles E. Tueele Company, 1970, page 230, plate 418; and La pâte de verre, by Nöel Daum, Paris: Edition Denöel, 1984, page 142, plate 193.
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Artist: Walter
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| Signed: Daum Nancy |
| Circa: 1900 |
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A French Art Nouveau pâte de verre “monkfish” bowl by Amalric Walter, featuring a deep blue monkfish on an aquamarine ground with algae. A similar dish is pictured in Amalric Walter (1870-1959) by Keith Cummings, Kingswinford (UK): Broadfield House Glass Museum, 2006, page 44, plate 65, and in Art Nouveau to Art Deco: The Art of Glass, by Victor Arwas, Windsor (UK): Andreas Papadakis, 1996, page 61, plate 74.
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Artist: Walter
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| Signed: A Walter Nancy and HBerge sc. |
| Circa: 1900 |
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A French Art Nouveau cameo glass lamp by Daum Frères featuring a lakeside landscape with a sunset in rich colors of red, orange and yellow.
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Artist: Daum Freres
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| Signed: “Daum Nancy” with the Croix de Lorraine. |
| Circa: 1900 |
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This French Art Nouveau glass and bronze table lamp was produced collaboratively by the workshops of Daum and Printemps . The color of the shade modulates from deep red to orange to yellow. The gilt bronze base and ornaments adorning the sides of the shade are decorated with peacock feathers.
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A French Art Nouveau cameo glass and patinated bronze chandelier by Emile Gallé.
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Artist: Galle
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau glass and patinated bronze table lamp by Majorelle with Daum Nancy shade.
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Artist: Majorelle
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| Signed: shade signed, “Daum Nancy France,” with the Croix de Lorraine. |
| Circa: 1900 |
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A French Art Nouveau lamp by Emile Gallé with a glass shade decorated with plum and crimson leaf forms suspended with in patinated bronze abstract curvilinear base.
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Artist: Galle
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| Signed: Gallé |
| Circa: 1900 |
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A French Art Nouveau glass and bronze oil lamp by Maurice-Elysée DuFrene, featuring a pink blown glass shade atop a patinated bronze base. Similar lamp pictured in: The Paris Salons 1895-1914, vol. 5, by Alastair Duncan, p. 229.
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A French Art Nouveau mahogany wall clock by Gauthier & Delatte, featuring an illuminated inlaid rectangle of carved cameo glass depicting a lakeside scene.
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Artist: Gauthier & Delatte
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| Signed: “A Delatte Nancy” and “Westminter Carillon” |
| Circa: 1900 |
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A French Art Nouveau mahogany and walnut buffet by Paul Bec, featuring two leaded glass doors depicting leaves and flowers. Similar buffet pictured in: The Paris Salons 1895 - 1914: Volume III: Furniture, by Alastair Duncan, page 48. The furniture mounts are pictured on page 148 of The Paris Salons 1895-1914: Volume V: Objets d’Art & Metalware.
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A French Art Nouveau walnut vitrine from L’ Ecole de Nancy. The curvelinear line encompasses the vine and pond lily motif, emphasizing the aesthetic philosophy of the period. Vitrines were frequently used to display ceramics, bronzes and art-glass.
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A French Art Nouveau cameo glass boat-form vase by Daum, featuring an applied wheel-carved pink flower and etched green leaves.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, featuring green stalks of flowers against a mottled pink ground, graduating to translucent orange at the top.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, featuring blue wheel-carved leaves and flowers against an opaque creme and blue marteléd ground. The vase is set into a carved silver base, and includes an original fitted box.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of blue flowers and light blue and grey stems and leaves on an opaque, mottled white and yellow ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1910 |
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A French Art Nouveau wheel-carved and acid-etched cameo glass vase by Daum, featuring a carved mottled pink flower against an opaque textured ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1910 |
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A French Art Nouveau cameo glass vase by Daum, featuring deep blue flowers on a mottled white and blue ground. The vase has both wheel-carving and martelé techniques.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1910 |
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A French Art Nouveau cameo glass vase by Daum, featuring red flowers and vines against a yellow and red martelé ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1910 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a decoration of orange berries hanging from a tree branch against a mottled orange and yellow ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1910 |
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A French Art Nouveau wheel-carved cameo glass pitcher by Daum, featuring an applied white flower and blades of grass against a mottled blue and white ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1910 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring a blooming flower in a deep blue, on an opaque white and mottled blue ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring dandelions swaying in the wind against a teal green and white marteléd ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring red flowers and dark red stems and leaves on a mottled white and red ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring blue flowers and dark green stems and leaves against a mottled white and blue ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Emile Gallé, featuring wheel-carved flowers, leaves and branches. The thick cylindrical vase is purple throughout and has a mottled, textured surface between the carved branches.
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Artist: Gallé
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| Signed: “Cristallerie de Gallé a Nancy” |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Emile Gallé, featuring a pink foliate design on a white ground.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Emile Gallé, featuring falling leaves in hues of iridescent reds against a partially translucent to deep-red ground.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Emile Gallé, featuring a bird with falling leaves in hues of iridescent reds against a partially translucent to deep-red ground. Original paper label on underside of vase. Signed, “Emile Gallé Modele et Decor Deposes”.
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Artist: Gallé
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| Signed: Emile Gallé Modele et Decor Deposes |
| Circa: 1900's |
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A wheel carved cameo glass vase by Emile Galle. Signed in intaglio “Cristallerie d’Emile Gallé Nancy/modele et decor dépose”.
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Artist: Gallé
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| Signed: Cristallerie d’Emile Gallé Nancy/modele et decor dépose |
| Circa: 1900's |
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A French Art Nouveau glass vase by Emile Gallé, featuring abstract organic swirling in carved translucent glass.
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Artist: Gallé
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| Signed: “Cristallerie d’Emile Gallé Nancy” |
| Circa: 1900 |
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A French Art Nouveau glass pitcher by Emile Gallé, featuring abstract organic swirling in carved translucent glass.
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Artist: Gallé
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| Signed: “E. Gallé en sol Cristallerie a Nancy” |
| Circa: 1900 |
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A French Art Nouveau cameo glass vase by Daum, featuring carved crimson flowers on a textured pink and white translucent ground. The top of the vase is rimmed in gold. Signed.
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Artist: Daum
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| Signed: “Daum Nancy” |
| Circa: 1900 |
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A French Art Nouveau lighted gilt bronze sculpture by Antoine Bofill featuring a lamp shade in pink glass and enamel decoration in the Japanese style. Titled “Parisian Geisha”. Pictured in: Dynamic Beauty: Sculpture of Art Nouveau Paris, by Macklowe Gallery, The Studley Press, 2011, p. 64.
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A French Art Nouveau covered porcelain jar designed by Georges de Feure and manufactured by Dufraisseix & Abbot, Limoges for Art Nouveau Bing. In the manner of de Feure’s renowned textiles, this piece is decorated with elegantly painted abstract floral and vegetal designs. Pictured in “The Paris Salons 1895-1914: Volume IV Ceramics & Glass” by Alastair Duncan, Page 159.
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Artist: De Feure
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| Signed: Artist’s Signet, ANB, LEUCONOE, 04-40 |
| Circa: 1890 |
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A French Art Nouveau cameo glass table lamp by Daum, featuring bright red flowers on an opaque white and cream ground. The top of the lamp is in a bright green hue.
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Artist: Daum
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| Signed: "Daum Nancy" |
| Circa: 1900 |
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A French Art Nouveau pâte de verre dish by Amalric Walter and Daum Frères, featuring an intricately cast butterfly on a brilliant blue and purple teardrop shaped tray. The detailing on the butterfly’s wings and body and the varying textures Walter achieves in his pâte de verre render the butterfly life-like and are reminiscent of Japanese jade carvings.
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Artist: Walter
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| Signed: Daum Nancy |
| Circa: 1900 |
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A French Art Deco glass pâte-de-verre covered bowl designed by Henri Bergé and executed by Amalric Walter, featuring a decoration of leaves and berries, topped with a snail finial. Pictured in: Amalric Walter, by Keith Cummings, page 54, #85.
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Artist: Walter
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| Signed: ”A. Walter Nancy”, and, “Bergé SC” |
| Circa: 1920's |
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A French Art Nouveau bronze figural sculpture by Charles Korschann, featuring a gilt bronze head of a woman with silvered hair. The front of the rectangular marble pedestal is decorated with silvered flowers, and an emerald colored glass gem is inset on the bust. Pictured in Dynamic Beauty: Sculpture of Art Nouveau Paris, by Macklowe Gallery, The Studley Press, 2011, p.160.
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Artist: Korschann
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| Signed: “C.H. Korschann” and stamped with the Louchet foundry mark |
| Circa: 1900 |
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A French Art Nouveau colorless glass and patinated bronze figural Inkwell designed by Baccarat. The glass form is molded as a cresting wave, mounted at the center with a gilt-bronze figure of a mermaid. The lower section of the wave is mounted with gilt and brown patinated inkpots formed as a seashell and a barrel
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A French Art Deco pâte-de-verre vase, titled “Primevères” (Primroses) by Gabriel Argy-Rousseau featuring purple and red organic organic decoration in relief agains a multi-colored ground. The vase is further decorated with a purple art deco ornamental upper border. Pictured in: G.Argy-Rousseau: Les Pâtes de Verres, catalogue raisonné by Janine Bloch-Dermant (Paris: Les Editions de l’Amateur, 1990), page 196, cat. no. 24.02.
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A French Art Deco pâte-de-verre vase by Gabriel Argy-Rousseau, titled “Lions”. The vase depicts blue lions surrounded by abstract blue and aqua swirls against a white ground. Pictured in: G.Argy-Rousseau: Les Pâtes de Verres, catalogue raisonné by Janine Bloch-Dermant (Paris: Les Editions de l’Amateur, 1990), page 209, cat. no. 26.08; color picture in: G. Argy-Rousseau: Glassware as Art by Janine Bloch-Dermant, New York, Thames and Hudson, Inc., 1991, page 78. The lions motif “was inspired by an Assyrian relief of the king Assurbanipal hunting lions at Ninevah. Roaring, aggressive and bounding, they have become a conventional symbol of the animal....” (G. Argy-Rousseau: Glassware as Art by Janine Bloch-Dermant, New York, Thames and Hudson, Inc., 1991, page 68)
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A French Art Nouveau glass and bronze table lamp by Emile Gallé featuring a fire-polished cameo glass shade in the shape of a blossoming flower atop a patinated bronze organic base. Circa 1900. Signed, “Galle”. Similar model pictured in The Paris Salons: 1895-1914 Vol IV, by Alastair Duncan, page 233.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau wheel-carved cameo glass vase by Daum, featuring green leaves and orange berries against a dark orange and mottled light green ground.
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Artist: Daum
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| Signed: “Daum Nancy” with the Croix de Lorraine. |
| Circa: 1900 |
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