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| Search Results for "Tiffany Studios" |
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An American Art Nouveau bronze and favrile glass mounted table candelabrum by Tiffany Studios New York. A similar candelabrum is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 385, plate 1571, #1290.
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A Tiffany Studios New York golden Favrile glass vase. The unique structure of this vase is comprised of 3 columns and a rounded circular base. The vase is a larger example of this type of Tiffany glass. A vase with similar colors and form is pictured in: Tiffany Favrile Glass and the Quest of Beauty, by Martin Eidelberg, New York: Lillian Nassau LLC, 2007, p. 34, plate 37.
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Artist: Tiffany
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| Signed: 'L.C. Tiffany-Favrile and 9458C' |
| Circa: 1900 |
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A pair of Tiffany Studios New York patinated bronze “Saxifrage” candlesticks. Tiffany drew artistic inspiration from the humblest species of meadow plants, such as the WIld Carrot, Queen Anne’s Lace and in this instance an herb which grows in the clefts of rocks. Here, the plant’s seed pods have been fashioned with great delicacy into a candle bobeche supported by a slender stalk rising from a symmetrical band of leaves that fan out to form the foot. A similar candlestick is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 387, plate 1579 (far right, front row). Provenance: The Garden Museum Collection, Japan
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 4475” and “Tiffany Studios New York 11485” |
| Circa: 1900 |
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A Tiffany Studios New York patinated bronze "Zodiac" inkwell, from the “Zodiac” desk set. A similar inkwell is pictured in Tiffany Desk Sets, by William R. Holland, Atgen, PA: Schiffer Books, 2008, page 27, figure 1-24.
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Artist: Tiffany
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| Signed: "Tiffany Studios New York 1072" |
| Circa: 1900 |
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A Tiffany Studios New York gilt bronze “Chinese” inkwell, from the “Chinese” desk set. A similar inkwell is pictured in Tiffany Desk Sets, by William R. Holland, Atgen, PA: Schiffer Books, 2008, page 135, figure 8-8.
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Artist: Tiffany
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| Signed: "Tiffany Studios New York 4763” |
| Circa: 1900 |
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A Tiffany Studios New York silvered glass and bronze “Fern” table mirror, featuring an elaborate and intricately pierced and sculpted patinated bronze base decorated with stylized fern leaves. Pictured in: Tiffany at Auction by Alastair Duncan, p. 46, cat. no. 126, and: Tiffany Lamps and Metalware, by Alastair Duncan, page 402 plate #1628.
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Artist: Tiffany
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| Signed: "Tiffany Studios New York 69200." |
| Circa: 1910 |
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A Tiffany Studios New York glass and bronze “Woodbine” table lamp, featuring woodbine leaves in mottled green “Drapery” glass against a background of translucent green “Confetti” glass. The shade sits atop a blown glass and patinated bronze base. The Byzantine look of this lamp is enhanced a hanging fringe of metal balls surrounding the bottom edge of the shade. A similar base and shade are pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 43, plate 134.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York” |
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A Tiffany Studios New York bronze “American Indian” Letter Knife. A similar letter knife is pictured in: Tiffany Desk Treasures: A Collector’s Guide, by George A. Kemeny and Donald Miller, New York: Hudson Hills Press, 2002, p. 55, plate 37.
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A Tiffany Studios New York bronze “American Indian” pen tray. A similar pen tray is pictured in: Tiffany Desk Sets, by William R. Holland, Atglen, PA: Schiffer, 2008, p. 129, plate 7-7.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 1185” |
| Circa: 1900 |
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A Tiffany Studios New York glass and bronze “Arrowroot” table lamp, featuring a leaded glass shade depicting mottled green and yellow arrowroot flowers on a white and blue ground, atop a patinated bronze “Tyler” base. Shade and base pictured separately in Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, by Alastair Duncan: Shade: p.152, plate #1496; base: p. 77, plate 298, #368.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 368” |
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A Tiffany Studios New York patinated bronze “Scarab” inkwell, featuring three sculpted beetles surrounding the inkwell. Pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 430.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 25056” and stamped with the Tiffany Studios Design & Decorating Co. monogram |
| Circa: 1900 |
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A Tiffany Studios New York patinated bronze picture frame. A similar frame is in Tiffany Desk Sets, by William R. Holland, Atgen, PA: Schiffer Books, 2008, page 24, figure 1-14.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 921” |
| Circa: 1900 |
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A rare and historically significant Tiffany Studios New York glass and bronze “Tyler” lamp, the shade featuring an iridescent blue glass decorative pattern on a richly mottled green and yellow glass background. The shade is 16” in diameter, which makes it almost certainly a prototype for the later, standard 18” diameter Tyler shade. The shade sits atop an iridescent blue and silver iridescent blown glass base, and was originally illuminated using an oil canister, later converted to electricity. This lamp is a consummate example of the ingenuity and creativity of the earliest period of Tiffany Studios lighting. Similar shade pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p.75, plate #1440.
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Artist: Tiffany
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| Circa: 1897 |
| Base Signed: “L.C.T. E1434” |
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A Tiffany Studios New York glass and bronze “Tulip” table lamp, featuring a leaded glass shade decorated with red tulips against a mottled white and green ground. The shade sits atop a patinated bronze three-light “Empire” base, with three white and green Favrile glass electrified candlesticks decorated with a “pulled-feather” design. Similar shade pictured in Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, by Alastair Duncan, p.43, plate #148. Similar base in gilt bronze pictured on page 109, plate 449.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 530” |
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A pair of Tiffany Studios New York gilt bronze candlesticks, featuring an embossed decoration of flames around the base.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York” |
| Circa: 1900 |
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A Tiffany Studios New York glass and bronze candelabrum, featuring eight green and white Favrile blown glass buds atop a gilt bronze base. Concealed extinguisher included. A similar candelabrum is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 386, plate 1574, #1294.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York S751” |
| Circa: 1900 |
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A Tiffany Studios New York “Jonquil-Daffodil” leaded glass and bronze table lamp, featuring orange/yellow jonquils in the upper portion and white petaled flowers with orange/yellow centers in the lower portion, all resting on a green leafed ground. The shade rests on a patinated bronze decorated cushion base. Similar shade pictured in Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, by Alastair Duncan, p.187, plate #1917.
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Artist: Tiffany
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| Circa: 1905 |
| Base Signed: “25883 Tiffany Studios New York” |
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A Tiffany Studios New York glass and bronze “Tripod” candlestick, featuring an iridescent white and green Favrile glass shade with abstract organic decoration. The shade sits on a patinated bronze “Tripod” base with an iridescent white and green Favrile glass bobesche and decorated with abstract organic ornamentation suggestive of leaves. A similar candlestick base (with a different bobeché) is pictured in: iffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 379, plate 1550, #1228.
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Artist: Tiffany
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| Signed: Shade “L.C.T.” Base “Tiffany Studios” |
| Circa: 1900 |
| Base Signed: “Tiffany Studios” |
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A Tiffany Studios New York bronze picture frame in the Pine Needle pattern with an square center and beaded trim, mottled amber and opaque colored glass. A similar picture frame is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 467, plate 1841, #947.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 916” |
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A Tiffany Studios New York Favrile glass vase with iridescent pulled decoration in the style of a Hopi vase. Louis Comfort Tiffany had more than five hundred Native North American objects, including baskets, implements, and articles of clothing from the Pacific Nothwest on display at his home in Laurelton Hall. Many of these objects were on view in a special oblong room that had once been a bowling alley. Baskets, pottery, and textiles also served as decorative accents throughout the house. This vase pays tribute to Tiffany’s collection. In its color, shape, and decoration it resembles a work of Native American Hopi pottery and shows the influence of this art form on Tiffany’s own work.
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Artist: Tiffany
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| Signed: “LCT F125” |
| Circa: 1900 |
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A Tiffany Studios New York “Tel el Amarna” vase featuring iridescent brown, coffee and gold Favrile glass with an Egyptian-inspired motif. A vase with similar colors and decoration is pictured in: Tiffany at Auction, by Alastair Duncan, New York: Rizzoli, 1981, p. 17, #19.
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Artist: Tiffany
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| Signed: 1271 L.C. Tiffany Favrile 1696 |
| Circa: 1900 |
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A Tiffany Studios New York glass “Jack-in-the-Pulpit” vase. One of Tiffany Studios’ best known and most popular Art Nouveau designs, the “Jack-in-the-Pulpit” flower-form vase is iridescent gold, shaded to purple/pink, and edged in the curved areas with light tones. The edges of the bloom have an onion finish. A similar vase is pictured in: Tiffany Favrile Art Glass, by Moise S. Steeg, Jr., Atglen, PA: Schiffer Publishing, Ltd., 1997, p. 56.
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Artist: Tiffany
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| Signed: “L.C.T. W8835” |
| Circa: 1900 |
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A Tiffany Studios New York Favrile green and white vase in a gourd form, featuring green and yellow pulled feather decoration and iridescent blue gilt highlights. A similar vase is pictured in: Louis Comfort Tiffany: Artist for the Ages, by Marilynn A. Johnson, London: Scala Publishers Ltd., 2005, p. 171. cat. 75.
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Artist: Tiffany
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| Signed: Signed “L.C.T. 6955A”. |
| Circa: 1900 |
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A Tiffany Studios New York translucent Red Favrile vase with iridescent silver and blue pulled decoration. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects. A similar vase is pictured in: Art Glass Nouveau, by Ray and Lee Grover, Rutland, VT: Charles E. Tuttle Company, 1967, p. 87, plate 149.
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Artist: Tiffany
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| Signed: “L.C. Tiffany Inc. - Favrile 5381M” |
| Circa: 1918 |
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A Tiffany Studios New York miniature glass “Agate” vase, featuring an abstract decoration of caramel-colored glass threading over a matte yellow to brown graduated ground. Agate was a layered glass technique developed early in the history of Tiffany Glass and Decorating Company. It was intended to suggest the striations found in veined stone and was usually opaque. In some pieces, including this one, the effect was enhanced by grinding back the glass with polishing wheels.
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Artist: Tiffany
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| Signed: “09993 L.C.T.” |
| Circa: 1900 |
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A Tiffany Studios New York glass vase, featuring orange and golden Favrile glass decorated with an iridescent swirl design. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects. A vase with similar decoration is pictured in: The Tiffany Collection of the Chrysler Museum at Norfolk, by Paul E. Doros, Richmond, VA: W. M. Brown & son, Inc., 1978, p. 135, cat. no. 176.
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Artist: Tiffany
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| Signed: "L.C. Tiffany-Favrile” |
| Circa: 1900 |
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A Tiffany Studios New York ceramic “Mushroom” planter, featuring a brown-glazed decoration of two tiers of naturalistically rendered mushrooms in various stages of growth. A similar planter is pictured in: Louis C. Tiffany's Glass-Bronzes-Lamps, by Robert Koch, p.150, pl. 250; and in: Tiffany Favrile Potteru and the Quest of Beauty, by Martin Eidelberg, New York: Lillian Nassau LLC, 2007, p. 23, # 31.
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Artist: Tiffany
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| Signed: "L.C.T. 7" |
| Circa: 1910 |
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A Tiffany Studios New York patinated bronze “Zodiac” picture frame, from the “Zodiac” desk set. Pictured in: Louis C. Tiffany: The Collected Works of Robert Koch, by Robert Koch, p. 216.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 920” |
| Circa: 1900 |
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A Tiffany Studios New York glass vase, featuring iridescent orange Favrile glass decorated with blue and green swirls on a yellow ground. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: “H1499” |
| Circa: 1897 |
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A Tiffany Studios New York glass “Cypriote” vase, featuring a mottled and multi-textured lava-like finish, with an uneven border. Cypriote is a textured glass achieved at Tiffany Glass and Decorating Company by rolling glass over a marble or iron surface covered with pulverized bits of the same glass. Its iridescence and bubbles resembled the decomposed surface of Roman glass discovered during archeological explorations on the island of Cyprus, hence its name. Lava glass evolved from Cypriote glass by using thicker, brighter glass and dripping golden glass irregularly over the surface. A similar vase is pictured in: The Art of Glass: Art Nouveau to Art Deco, by Victor Arwas, London: Andreas Papadakis, 1996, p. 40, plate 50.
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Artist: Tiffany
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| Signed: “R1837 L.C.T” |
| Circa: 1900 |
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A Tiffany Studios New York glass “Cypriote” vase, featuring mottled yellow and gold Favrile glass with pitted pink and blue iridescence. Cypriote is a textured glass achieved at Tiffany Glass and Decorating Company by rolling glass over a marble or iron surface covered with pulverized bits of the same glass. Its iridescence and bubbles resembled the decomposed surface of Roman glass discovered during archeological explorations on the island of Cyprus, hence its name.
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Artist: Tiffany
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| Signed: “1495 P. L.C.T. Favrile” |
| Circa: 1900 |
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A Tiffany Studios New York glass vase, featuring translucent and iridescent gold Favrile glass, decorated with abstract stripes and swirls. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: “L.C.T” and “F2021” |
| Circa: 1900 |
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A Tiffany Studios New York glass “Jack-in-the-Pulpit” vase, featuring iridescent blue with gold and purple highlights. The “Jack-in-the-Pulpit” vase was rarely made in blue glass. A similar vase is pictured in: Tiffany at Auction, by Alastair Duncan, New York: Rizzoli, 1981, p. 41, # 115; and in: Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA: Schiffer Publishing Ltd., 2001, p. 314.
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Artist: Tiffany
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| Signed: “L.C. Tiffany Favrile 361D” |
| Circa: 1900 |
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A Tiffany Studios New York glass and bronze vase, featuring a cylindrical loose amber and green iridescent Favrile glass insert decorated with a stylized leaf motif, supported by a gilt bronze conforming stand with four scrolling legs on a disk base. A similar vase is pictured in: Louis Comfort Tiffany: Artistry in Glass, The Seymour and Evelyn Holtzman Collection, Boca Raton Museum of Art, 2007, p. 73.
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Artist: Tiffany
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| Signed: “L.C.Tiffany-Favrile” and base signed “Tiffany Studios New York 715” |
| Circa: 1900 |
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A Tiffany Studios New York glass and bronze “12-Light Lily” floor lamp, featuring twelve gold iridescent “Lily” shades, each signed L.C.T., suspended from a bronze “Lily” floor lamp base. Pictured in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p.219, plate #685.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “TSNY 685” |
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A Tiffany Studios New York Favrile vase, featuring a rare and highly iridescent glass vase decorated with red, pink and mauve abstract swirls, accented with green highlights. The neck of this abstract patterned vase is finished with a gold iridescent collar. A vase with similar motif is pictured in: Tiffany Glass, by Mario Amaya, New York: Walker and Company, 1967, p. 58.
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Artist: Tiffany
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| Signed: “L.C.T. S2760” |
| Circa: 1900 |
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A Tiffany Studios New York patinated bronze inkwell and pen tray with a golden Favrile glass insert. A similar inkwell and pen tray (Octopus, # 861) is pictured in Tiffany Desk Set, by William R. Holland, Atgen, PA: Schiffer Books, 2008, page 234, figure 26-34.
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Artist: Tiffany
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| Signed: Tiffany Studios 7719.” Favrile glass insert marked L.C.T. |
| Circa: 1900 |
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A Tiffany Studios New York Favrile glass floriform vase with a bulbous bowl and elongated internal spiral twisted stem. The vase features a white pulled leaf motif outlined in deep orange/red with a white feathered swirl decoration which is also duplicated on the foot. A vase with a similar motif is pictured in: Tiffany Favrile Glass and the Quest of Beauty, by Martin Eidelberg, New York: Lillian Nassau LLC, 2007, p. 43.
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Artist: Tiffany
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| Signed: “07668 L.C.T.” |
| Circa: 1900 |
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A Tiffany Studios New York wheel carved Favrile glass vase. The vase is globe shaped and features a band of red nasturtiums and green lily pads against an opalescent glass ground. A vase with similar motif is pictured in: Martin Eidelberg, Tiffany Favrile Glass and the Quest of Beauty, New York: Lillian Nassau LLC, 2007, p. 58; and in: Alastair Duncan, Louis C. Tiffany: The Garden Museum Collection, Woodbridge, Suffolk: Antique Collectors’ Club, 2004, p. 245 (top left).
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Artist: Tiffany
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| Signed: “L.C. Tiffany-Favrile 4560B”. |
| Circa: 1900 |
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A pair of Tiffany Studios New York golden stalactite chandeliers with pulled iridescent gold feather decoration. A similar fixture is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 294, plate 1161.
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A Tiffany Studios New York Favrile decorated vase. This vase features pulled copper decoration with iridescent gold trim against a golden ivory ground. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: “L.C.T. 12300” with original Tiffany Label |
| Circa: 1900 |
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A Tiffany Studios New York “Paperweight” glass vase, featuring yellow daffodils with green stems. A similar vase is pictured in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, page 158.
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Artist: Tiffany
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| Signed: “ L.C. Tiffany-Favrile 3316G” |
| Circa: 1900 |
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A Tiffany Studios New York golden iridescent stalactite chandelier. A similar fixture is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 294, plate 1161.
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A Tiffany Studios New York stalactite chandelier, featuring 3 golden shades with pulled feather design, each hanging from a patinated bronze chain and pole suspension. A similar fixture is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 308, plate 1236.
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A Tiffany Studios New York glass and bronze “Moorish” chandelier, featuring a central golden iridescent Favrile glass “Stalactite” surrounded by twelve golden iridescent Favrile glass “Lily” shades hanging from a patinated bronze crown with alternating ball and chain decoration. Similar model pictured in: Tiffany Lamps and Metalware: An Illustrated Reference to Over 2000 Models, by Alastair Duncan, page 299, plate #1191.
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A Tiffany Studios New York four-branch patinated bronze candelabrum, featuring four candleholders atop a “Flame Decor” base, The candelabrum includes an attached extinguisher. Pictured in: Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, 2007, p. 386.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 7541” |
| Circa: 1900 |
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A Tiffany Studios New York four-handled ceramic “Cabbage-Leaf” vase with a white and green glaze. A similar vase is pictured in: Tiffany Favrile Pottery and the Quest of Beauty, by Martin Eidelberg, New York: Lillian Nassau LLC, 2007, p. 95, # 244.
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Artist: Tiffany
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| Signed: "P1014 - Tiffany-Favrile" and "Pottery" and “LCT” |
| Circa: 1910 |
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A Tiffany Studios New York patinated bronze and favrile glass four-arm candelabrum. A similar candelabrum is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 385, plate 1569, # 1265.
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Artist: Tiffany
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| Signed: Tiffany Studios New York 8469 |
| Circa: 1900 |
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Rare gilt bronze table by Tiffany Studios New York. A similar table is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 400, plate 1620, # 889.
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A Tiffany Studios New York favrile vase with pulled decoration. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: L.C.T. N2871 |
| Circa: 1900 |
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An early Tiffany Studios New York favrile glass vase with pulled decoration. A vase with similar decoration is pictured in: Louis C. Tiffany: Artist for the Ages, by Marilynn A. Johnson, London: Scala Publishers, Ltd., 2005, p. 228, cat. 130.
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Artist: Tiffany
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| Signed: Original “Tiffany” paper label |
| Circa: 1894 |
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A Tiffany Studios New York “Flower-Form” vase, featuring a green pulled-feather decoration on a cream ground. The vase has a goblet top and applied foot. A similar vase is pictured in: Louis C. Tiffany: Rebel in Glass, by Robert Koch (in Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA: Schiffer Publishing Ltd., 2001, p. 94).
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Artist: Tiffany
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| Signed: L.C. Tiffany-Favrile 5793A |
| Circa: 1910 |
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A Tiffany Studios New York “Flower-Form” vase, featuring a green pulled-feather decoration on a cream ground. The vase has a goblet top and applied foot. A similar vase is pictured in: Louis C. Tiffany: Rebel in Glass, by Robert Koch (in Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA: Schiffer Publishing Ltd., 2001, p. 94).
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Artist: Tiffany
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| Signed: L.C. Tiffany-Favrile 8542B |
| Circa: 1910 |
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A Tiffany Studios New York favrile cream and green glass vase with silver iridescent pulled feather decoration and an iridescent gold collar. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects. A vase with similar decoration is pictured: Tiffany at Auction, by Alastair Duncan, New York: Rizzoli, 1981, p. 26, plate 51.
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Artist: Tiffany
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| Signed: “L.C.T.” and “U7850” |
| Circa: 1904 |
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A Tiffany Studios New York "Dogwood" glass and bronze table lamp. The shade is comprised of white dogwood blossoms with green leaves and yellow centers against a sky blue confetti glass ground. The carefully applied confetti glass, a band of mottled green glass, and the rare irregular border give the the lamp added luminescence and delicacy, as if it were made from real dogwood blossoms. The shade sits atop a patinated bronze “Tyler” base. The lamp base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 77, fig. 298, base # 368.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 368 |
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A Tiffany Studios New York bronze picture frame in the Pine Needle pattern with an square center and beaded trim, mottled amber and opaque colored glass. A similar picture frame is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 467, plate 1841, #947.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 916” |
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A Tiffany Studios New York glass and bronze candelabra, featuring six bobechés with inset iridescent Favrile glass jewels, set into a patinated bronze base. Includes removable extinguisher on the back side of the stem. A similar candelabrum is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 385, plate 1571, #1290.
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An American Art Nouveau gold Favrille glass floriform vase by Tiffany Studios New York with long stem and footed base. A similar vase is pictured in: Louis C. Tiffany: Rebel in Glass, by Robert Koch (in Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA: Schiffer Publishing Ltd., 2001, p. 103).
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Artist: Tiffany
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| Signed: LCT, 6129 A |
| Circa: 1900 |
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A Tiffany Studios New York “Cypriote” glass vase featuring mottled yellow and gold Favrile glass with a pink and light blue iridescence. Cypriote is a textured glass achieved at Tiffany Glass and Decorating Company by rolling glass over a marble or iron surface covered with pulverized bits of the same glass. Its iridescence and bubbles resembled the decomposed surface of Roman glass discovered during archeological explorations on the island of Cyprus, hence its name. A vase with similar decoration is pictured in: Tiffany Favrile Glass and the Quest of Beauty, by Martin Eidelberg, New York: Lillian Nassau LLC, 2007, p. 29, plate 29.
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Artist: Tiffany
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| Signed: L.C. Tiffany-Favrile 5 8793N |
| Circa: 1900 |
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A Tiffany Studios New York "Geometric" leaded glass and bronze floor lamp. The lamp features a “geometric” shade comprised amber/orange mottled glass. The shade sits atop a gilt bronze floor base. A similar shade in a different color is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007: p.159, plate 656. A similar base is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007: p. 206, plate 798.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 443 |
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A Tiffany Studios New York patinated bronze two-light candlestick with snuffer and bobeches. A similar candlestick is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 381, cat. 155, # 1237.
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Artist: Tiffany
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| Signed: Tiffany Studios New York |
| Circa: 1900 |
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A Tiffany Studios New York Favrile “paperweight” glass vase decorated with a band of white daisies with long green stems and enhanced with red accents. A vase with similar decoration is pictured in: Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA: Schiffer Publishing Ltd., 2001, p. 106.
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Artist: Tiffany
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| Signed: 3076G L.C. Tiffany-Favrile |
| Circa: 1900 |
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A Tiffany Studios New York glass and patinated bronze "Dragonfly" table lamp. The shade features blue dragonflies against a mottled green glass ground. The shade is further ornamented with white mottled glass geometric upper and lower borders and sits atop a patinated bronze decorated “cushion” base (no feet). S imilar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 105, plate 153.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 25883”, and stamped with the Tiffany Studios Design & Decorating Co. monogram |
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A Tiffany Studios New York “Abalone” frame. The frame is gilt bronze and decorated with an etched pattern. The corners are further ornamented with thin abalone shell disks. A similar pictured frame is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 470, plate 1855.
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Artist: Tiffany
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| Signed: Tiffany Studios New York 1147 |
| Circa: 1900 |
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A Tiffany Studios New York “Abalone” frame. The frame is gilt bronze and decorated with an etched pattern. The corners are further ornamented with thin abalone shell disks. A similar pictured frame is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 470, plate 1855.
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Artist: Tiffany
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| Signed: Tiffany Studios New York |
| Circa: 1900 |
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A Tiffany Studios New York patinated bronze candlestick ornamented with two blown glass bobeches. A similar candlestick is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 387, plate 1579.
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A Tiffany Studios New York “Jack in the Pulpit” gold iridescent Favrile glass vase. One of Tiffany Studios’ best known and most popular Art Nouveau designs, the "Jack-in-the-Pulpit" flower-form vase is iridescent gold, shaded to purple/pink. A similar vase is pictured in Louis Comfort Tiffany, by Jacob Baal-Teshuva, New York: Taschen, 2001, p. 281.
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A Tiffany Studios New York "Gentian" table lamp. The shade is composed of leaded green, blue and white glass featuring floral stalks enclosed in Gothic arches. The middle row of the flaring apron is comprised of a row of uncut green gems. The patinated bronze base features openwork floral stalk decoration. Pictured in: The Lamps of Tiffany by Egon Neustadt, p. 64, no. 90
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Artist: tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 871 |
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A Tiffany Studios New York "Acorn/Curtain Border" glass and bronze senior floor lamp. The shade is comprised of a band of multihued green acorns against a background of red/orange glass with a lower border made up of multi-toned orange/yellow rippled glass. The entire pattern is set against a multihued orange/yellow ground. A dash (-) number designates a special order shade — this indicates that in most cases it is one comprised of special glass and usually very desirable. The shade rests upon a patinated bronze “Senior” floor base decorated with swirling wire decoration. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 205, plate 793.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 377 |
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A Tiffany Studios New York decorated blue favrile glass vase. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: 8658M L.C.Tiffany Inc. Favrile |
| Circa: 1900 |
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A Tiffany Studios New York gilt bronze and enamel clock. Face signed Tiffany & Co. New York. A similar clock is pictured in Tiffany Desk Sets, by William R. Holland, Atgen, PA: Schiffer Books, 2008, page 194, figure 16-18.
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Artist: Tiffany
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| Signed: Face signed “Tiffany & Co. New York”. Base signed ”Louis C Tiffany Furnaces Inc 360” and marked with Tiffany Furnaces Monogram. Movement signed “Chelsea Clock Co, Boston, USA 133004” |
| Circa: 1920 |
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A Tiffany Studios New York favrile glass “paperweight” vase, depicting a band of white daisies with green leaves. A similar vase is pictured in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, page 158.
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Artist: Tiffany
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| Signed: 2989 G L. C. Tiffany - Favrille |
| Circa: 1900 |
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A Tiffany Studios New York "Wisteria" table lamp. A very fine and unusually rare lamp composed of a pastel palette of glass wisteria blossoms in shades of blue, rose, green, cream and white that cascade down the shade to an irregular border. The blossoms are surrounded by abundant leaves in varying shades of green and are delicately interspersed with “confetti” glass, lending them added three-dimensionality. The shade has a latticework top, portraying the branches and vines of a wisteria tree. The base designed specifically to hold the shade is also endowed with vegetal, vine-like properties. Circa 1910. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 215, plate 287.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: Tiffany Studios New York 7806 |
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A Tiffany Studios New York "Bouquet” leaded glass and patinated bronze chandelier. Circa 1900. A similar shade is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 216, plate 851. Shade signed: ''Tiffany Studios New York''.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 28623 |
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A Tiffany Studios New York iridescent Favrile “cypriot” glass vase by Louis Comfort Tiffany. Under Tiffany’s careful supervision, artisan and shop manager George J. Cook developed some of Tiffany’s signature glass including Peacock, Cypriote and Lava glass and also introduced the Gooseneck or Rosewater Sprinkler shaped vessel. Objects owned by the Metropolitan Museum of Art in New York influenced much of the glass made for Tiffany by Cook. The Gooseneck shape, for example, is derived from a sixteenth-century Persian ritual rosewater sprinkler in the Metropolitan Museum’s Edward C. Moore Collection. Also on exhibit at the Metropolitan Museum were the findings from an archeological dig in Cyprus organized by a General De Cesnold which included a large selection of partly decomposed ancient glass. The glass had been buried for centuries and was distinguishable by its rough surfaces and iridescent colors. Tiffany adopted the name “Cypriote” for glass inspired by De Cesnold’s discoveries. Tiffany’s “Cypriote” glass usually draws upon an iridescent color palette and most often displays a rough, irregular surface on a Classical shape.
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Artist: Tiffany
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| Signed: L.C.Tiffany 8363 J |
| Circa: 1915 |
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A Tiffany Studios New York "Poinsettia" glass and bronze table lamp. The shade features a band of brilliant red and pink poinsettia blossoms with mottled green and yellow centers surrounded by green leaves against a mottled orange and yellow glass ground and having a mottled green glass border at the bottom of this shade. This vibrant shade sits atop a patinated bronze decorated “Library” base with its original oil canister. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 81, plate 113.
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Artist: tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 21363 and LCT monogram |
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A pair of double armed patinated bronze “tulip” sconces. A similar sconce is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 354, plate 1469.
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A Tiffany Studios New York "Three-Light Lily" glass and bronze desk lamp featuring three golden Favrile glass Lily Shades suspended above a patinated bronze decorated “Cushion” base. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 59, plate 210.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 319 |
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A Tiffany Studios New York glass and bronze “Peacock” mirror, featuring a finely sculpted patinated bronze base decorated with stylized peacock feathers, accented with multi-colored Favrile glass mosaic tiles. Pictured in: Tiffany at Auction by Alastair Duncan, p. 47, cat. no. 127, and: Tiffany Lamps and Metalware by Alastair Duncan, page 402, plate # 1626.
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Artist: Tiffany
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| Signed: Tiffany Studios New York 11434/898, and 3 |
| Circa: 1910 |
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A Tiffany Studios New York "Turtleback Tile" Moorish chandelier with ball and chain decoration. A similar fixture is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 276, plate 1073.
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A Tiffany Studios New York "Bamboo" patinated bronze and leaded glass floor lamp. The shade features brilliant green bamboo leaves atop golden bamboo stalks against a translucent cream colored ground slightly tinted with green. The shade sits atop a patinated bronze bamboo stalk base specially designed to support it. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p.213, cat. 839..
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 472 |
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A Tiffany Studios New York leaded glass and bronze chandelier. The green mottled glass shade features a geometric “brick” pattern and is decorated by cream and amber mottled glass geometric “brick” patterned leaves. The shade hangs from a patinated bronze suspension. A similar hanging shade is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 310, plate 1244.
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A Tiffany Studios New York golden stalactite chandelier featuring a golden shade with pulled feather design, hanging from a patinated bronze chain and pole suspension. A similar shade is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 294, plate 1160.
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A Tiffany Studios New York glass and bronze “Pony Wisteria" table lamp with a latticework top designed to portray the branches of a wisteria vine surrounded by green and green/blue leaves and lavender, purple,blue and green wisteria blossoms. The artfully selected glass pieces have dichroic properties and seem to change color as the light is refracted differently at various angles. The shade rests upon a patinated bronze miniature “Tree Trunk” base. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 214, and in: The Lamps of Tiffany Studios, by William Feldstein, Jr. and Alastair Duncan, New York: Harry N. Abrams, Inc., 1983, p. 117.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 349 |
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A Tiffany Studios New York Favrile glass and patinated bronze desk lamp with 9 Favrile glass cabochons and Favrile shade with pulled feather decoration. A small piece of the shade has been reglued at the fitter rim. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 100, plate 396.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 11405 |
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A Tiffany Studios New York glass “Flowerform” vase, featuring iridescent golden Favrile glass blown in the form of a stylized blooming flower.
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Artist: Tiffany
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| Signed: L.C.T. Y1440 |
| Circa: 1900 |
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A Tiffany Studios New York “Nautilus” table lamp. This lamp features a nautilus shell shade set within a gilt patinated bronze tendril vine base. The base is further decorated with iridescent glass cabochon jewels. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 86, cat 333, base #402.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 402 - S1331 |
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A Tiffany Studios New York "Tulip" leaded glass and bronze table table lamp. The shade features a bouquet of yellow and orange tulips against a green ground. The shade sits atop a patinated bronze “Jacob’s Ladder” base. A dash (-) number designates a special order shade — this indicates that in most cases it is one comprised of special glass and usually very desirable. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 149. A similar base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 107, plate 431, #548.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 500 |
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A Tiffany Studios New York blue Favrile glass covered jar. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: 1231 - LC Tiffany Favrile |
| Circa: 1900 |
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A Tiffany Studios New York iridescent blue Favrile glass vase by Louis Comfort Tiffany. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: LC Tiffany Favrile 2429 H |
| Circa: 1900 |
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A Tiffany Studios New York "Turtleback Tile" leaded glass and patinated bronze chandelier. The “brick” patterned shade features varying shades of mottled cream and amber glass and is ornamented with an upper turtleback tile border and a central turtleback tile oculus. A similar chandelier is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 277, plate 1076.
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An American Art Nouveau Favrile glass “Flower Form” vase by Tiffany Studios New York. The upper portion of the vase is ornamented with green pulled feather decoration, imitative of leaves, against a graduated iridescent gold and rose colored ground and sits atop a translucent green stem that extends upwards from an iridescent gold foot. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: LCT R9795 |
| Circa: 1902 |
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A Tiffany Studios New York iridescent blue Favrile glass goblet by Louis Comfort Tiffany. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: 57492 LCTiffany Favrile |
| Circa: 1900 |
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A Tiffany Studios New York mottled glass and patinated bronze "Peony" table lamp. The shade features a bouquet of crimson peony blossoms with green leaves against a light blue ground accented with mauve, golden, and blue highlights and sits atop a decorated “Library” base with reticulated bronze work. A similar shade is pictured in: The Lamps of Louis Comfort Tiffany, by Martin Eidelberg, Alice Cooney Frelinghuysen, Nancy A. McClelland, and Lars Rachen, New York: The Vendome Press, 2005, p. 21, plate 20. A similar base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 85, plate 330.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 397 |
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A Tiffany Studios New York "Aladdin" glass and patinated bronze floor lamp, featuring a green “linen fold” shade suspended from a fixture resembling an oil lamp. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 34, cat. 31 and in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 214, base # 576.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: Tiffany Studios New York |
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A Tiffany Studios New York "Crocus" leaded glass and patinated bronze table lamp. A bouquet of yellow, orange, and green crocus blossoms with hints of blue in various stages of bloom decorates this shade. The shade sits atop a decorated three-armed “Library” base. A similar shade and base are pictured separately in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988. Shade: p. 137, plate 575, #1454; base: p. 74, plate 283, #362.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 6842 |
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A pair of Tiffany Studios New York gilt bronze two-light sconces with Favrile glass prism shades. A similar sconce is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 361, plate 1488.
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A Tiffany Studios New York wood and Favrile glass humidor carved by Joseph Briggs. Here a segment of a tree branch has been transformed into a domestic appliance, one for use in an Edwardian gentleman’s library, “den,” or smoking room. The removal of the wood’s burls and of their replacement with conforming pieces of iridescent Cypriote glass provides an eye-catching effect. Provenance: Joseph Briggs; Briggs family, by descent; Howard and Paula Ellman; The Garden Museum Colleciton, Matsue, Japan. This humidor is pictured in: Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 2004, p. 356.
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Artist: Tiffany
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| Signed: A23614 L.C.T. |
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A Tiffany Studios New York Favrile glass and patinated bronze desk lamp. The shade features 3 bell shaped golden Favrile shades with quilted decoration suspended from a decorated patinated bronze “Newell Post” base. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 55, plate 188.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 309 |
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A Tiffany Studios New York patinated bronze “Lily Pad” dressing mirror with a lily pad base and twisted vine frame. Pictured in “Tiffany Lamps and Metalware: an illustrated reference to over 2000 models” by Alastair Duncan, page 402, plate 1633, #899.
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A Tiffany Studios New York “counter balance” floor lamp with green and silver Favrile glass Damascene shade atop patinated bronze base. A similar lamp is pictured in The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 34, plate 28 (Bridge lamp with Balance).
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 468 |
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A Tiffany Studios New York "Tulip" table lamp. The shade features brilliant red tulips with green leaves against a blue ground and sits atop a gilt bronze “Mock Turtle” base. The flowers are recreated with stunning realism. In some cases, all six petals of some of the blossoms can be seen. The tulips are ingeniously overlapped to create the illusion of depth. Because of the sky blue ground on the upper portion of the shade and the earthy tones present throughout the lower apron, one has the impression of gazing at a tulip bed on a sunny afternoon. The lamp base and shade are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd.: base, p. 110, cat. 454, base # 587; shade, p. 167, cat. 682, shade # 1548. A similar shade is also pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 150, plate 212.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: Tiffany Studios New York 587 |
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Tiffany Studios New York square gilt-bronze "pine needle" inkwell with glass insert. Pictured in: William R. Holland, Tiffany Desk Sets, Atgen, PA: Schiffer Publishing Ltd., 2008, page 48, Fig. 2-3; and in Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, pp. 466-467, plates 1837 and 1842.
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An American Art Nouveau bronze and favrile glass mounted table candelabrum by Tiffany Studios New York. A similar candelabrum is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 385, plate 1571.
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Artist: Tiffany
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| Signed: Tiffany Studios New York |
| Circa: 1910 |
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A Tiffany Studios New York cream colored stalactite chandelier with orange pulled feather decoration. A similar fixture is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 294, plate 1161.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: 0219 |
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A Tiffany Studios New York bronze scale in the “Grape Vine” pattern. Pictured in: William R. Holland, Tiffany Desk Sets, Atgen, PA: Schiffer Publishing Ltd., 2008, page 81, Fig. 3-3; and in Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 469, plate 1847.
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Artist: Tiffany
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| Signed: A Tiffany Studios New York, #872 |
| Circa: 1900 |
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A Tiffany Studios New York Peacock leaded glass and bronze table lamp. The peacock was one of Tiffany’s favorite motifs. Here, brilliantly colored peacock feathers against a rich purple ground create the pattern of the shade with the quills of the feathers prominently visible and the twenty peacock eyes arranged in two staggered rows. Brick borders of green and yellow mottled glass and a scalloped apron further decorate the shade which sits atop a patinated bronze “Peacock” base specially designed for it. The play of light through the mottled glass, with its regal color palate, imbues the shade with the iridescence and beguiling mystery of real peacock feathers. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 139, plate 197. The shade is also pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge, Suffolk: Antiques Collectors’ Club Ltd., p. 142, cat. 592, shade #1472. Provenance: Sotheby’s London, The Elton John Collection, Volume III, 7 September 1988, lot 619. Sotheby’s New York, 6 June 2003, lot 428.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: Tiffany Studios New York 9449 |
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A Tiffany Studios New York “Nasturtium” Paperweight vase featuring purple nasturtium blossoms with green leaves set within a golden, translucent ground. Provenance: The Garden Museum Collection, Matsue, Japan. This vase is pictured in: Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 2004, p. 260.
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Artist: Tiffany
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| Signed: L.C.T R2032 |
| Circa: 1900 |
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A Tiffany Studios New York "Dragonfly" leaded glass and bronze table lamp. The shade features a band of dragonflies with purple bodies, red eyes and light blue wings with wire mesh detailing against a turquoise and brown rippled glass ground. The shade sits atop a blown glass and patinated bronze “Lily Pad” base. The blown glass base with verticle hairline crack. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 39, plate 130.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York S1477 with Tiffany Monogram |
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A Tiffany Studios New York "Wire Mesh Poppy" leaded glass and patinated bronze table lamp. The shade features red, orange, and yellow poppy blossoms in various stages of bloom and a band of green leaves against a mottled golden ground. Wire mesh centers delineate the pistils and stamens of the blossoms in full bloom and wire mesh is also applied as the veining for the leaves. The shade is further decorated with a lower multicolored green and blue brick border and sits atop a patinated bronze ribbed “Mushroom” base. A similar shade (in different colors) are pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 96, plate 137. A similar base is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 161, plate 664.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 3602 |
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A Tiffany Studios New York “Grapevine” picture frame by Louis Comfort Tiffany with mottled green Favrile glass under carved patinated bronze depicting grapes on vines. A similar picture frame is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 469, plate 1847.
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Artist: Tiffany
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| Signed: Tiffany Studios New York 4916 |
| Circa: 1900 |
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A Tiffany Studios New York Favrile glass iridescent blue vase with ribbed decoration by Louis Comfort Tiffany. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: 5755 N LC Tiffany - Favrile |
| Circa: 1900 |
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A Tiffany Studios New York Favrile glass iridescent purple “Trumpet” vase by Louis Comfort Tiffany. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: 1885 L C Tiffany - Favrile |
| Circa: 1900 |
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A Tiffany Studios New York iridescent gold Favrile glass vase by Louis Comfort Tiffany. The vase features a round bulbous base with ribs extending upward along the outside of the long-stemmed neck tapering to an everted lip. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: 9828K L.C.Tiffany-Favrile |
| Circa: 1900 |
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A Tiffany Studios New York iridescent golden Favrile glass perfume bottle by Louis Comfort Tiffany. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: Louis C. Tiffany 07100 and Decorating Co. monogrammed label |
| Circa: 1900 |
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A Tiffany Studios New York iridescent gold Favrile glass vase with iridescent silver and green pulled decoration by Louis Comfort Tiffany. Favrile is the trade name Tiffany gave to his blown art glass. The name derives from the Latin word fabrilis, meaning “made by hand.” The technique was developed at Tiffany Furnaces in the mid-1890s using filaments from batches of differently colored glass and working the material while the glass was still molten. Ornamentation was added before the piece had its final shape, so that the decoration became fully integrated into the vessel. The technique was used in both decorative vases and functional pieces such as tableware (bowls, goblets, carafes) and lamp shades. Tiffany intended the favrile designation as a guarantee to current customers and future collectors of the fine quality of these objects.
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Artist: Tiffany
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| Signed: L.C.T. Q4017 |
| Circa: 1900 |
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A pair of Tiffany Studios New York American Art Nouveau “Lighthouse” candlesticks with green and blue mosaic decoration by Louis Comfort Tiffany. Each candlestick is topped with a Favrile glass shade with iridescent and green pulled feather decoration on a cream colored ground. A similar candlestick in different colors is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 383, plate 1561.
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A pair of Tiffany Studios New York glass and bronze electrified candelabra, each one featuring; four iridescent white and green Favrile glass shades with a “Pulled Feather” decoration atop a patinated bronze candelabra. Pictured in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p.384, plate #1291, on photo number 1566.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 1291 |
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ATiffany Studios two-light wall sconce with a curving crossover design in bronze. Similar sconces are pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 356, plate 1475.
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A pair of Tiffany Studios New York patinated bronze 3-light sconces with golden Favrile glass shades. A similar sconce is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 338, plate 1369.
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A Tiffany Studios New York ‘Nautilus’ desk lamp with a nautilus shell suspended with in a decorated patinated bronze “Cushion” base. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 86, plate 334.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York S1544 |
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A Tiffany Studios New York decorated Favrile glass “Stalactite” shade. The shade features a band of yellow and white applied water flowers with delicately carved pistils and stamens. The flowers are surrounded by lily pad and vine motif against an iridescent gold ground. The shade hangs elegantly from a patinated bronze pole and chain suspension fixture. Tiffany decorated the Fountain Court in his Laurelton Hall home with as series of “Stalactite” shades with similar water flower decoration. A similar shade is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 47, plate 60.
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A Tiffany Studios New York patinated bronze and Favrile glass floor lamp the lamp features a green Damascene shade with iridescent decoration suspended within a harp base. Similar base and shade are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988. Base: p. 210, plate 821; shade: p. 212, plate 832.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York |
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A Tiffany Studios New York patinated bronze and Favrile glass “Stalactite” chandelier with a translucent golden colored shade with textured mauve and iridescent gold pulled feather decoration. The shade hangs from a decorated patinated bronze pole and chain suspension system. A similar chandelier is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 294, plate 1161.
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A Tiffany Studios New York Favrile glass and patinated bronze "Seven-light Lily" lamp, featuring seven golden Favrile “Lily” shades suspended above a patinated bronze “Lilypad” base. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 80, plate 312.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 385 |
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A Tiffany Studios New York glass and bronze eighteen light “Lily” table lamp, featuring 18 golden iridescent Favrile glass “Lily” shades on individual bronze stems extending upwards from an intricately sculpted and detailed gilt bronze “Lily Pad” base. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 80, plate 313.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 881” |
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A Tiffany Studios New York "Three-Light Lily" Favrile glass and gilt bronze table lamp featuring three perfectly matched shades. Note: one shade does contain a hairline crack. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 59. plate 211.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 319 |
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A Tiffany Studios New York patinated bronze and Favrile glass table lamp with a green “Damascene” shade with iridescent decoration suspended from standard swing am base with slide to swivel the shade and adjust its height.
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Artist: TIffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 28596” and stamped with Tiffany Glass & Decorating Co. Monogram |
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A Tiffany Studios New York Favrile glass and patinated bronze desk lamp. The green Damascene shade is ornamented with iridescent gold decoration and is suspended within a patinated bronze adjustable “Harp” base with foliate design. A similar shade and base are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, shade: p. 96, plate 318; base: p. 109, plate 444.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 569 |
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A Tiffany Studios New York Favrile glass and patinated bronze desk lamp. The lamp is comprised of a golden” Damascene” shade suspended from a patinated bronze counterbalance base. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 87, plate 342.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 417 |
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A Tiffany Studios New York patinated bronze and Favrile glass desk lamp featuring a green “Damascene” shade with iridescent decoration atop a decorated four-footed urn base. A similar shade and base are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, shade: p. 96, plate 318; base: p. 28, plate 71.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: unsigned |
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A Tiffany Studios New York Favrile glass and patinated bronze “Harp" floor lamp with a golden “Damascene” shade with iridescent decoration suspended with in a 5-footed “Harp” base. A similar shade and base are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, shade: p. 118, plate 500; base: p. 210, plate 821.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 423 H |
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A Tiffany Studios New York Favrile glass and patinated bronze table lamp, featuring an iridescent green “Damascene” shade atop a patinated bronze “Ruffle” base. A similar shade and base are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, shade: p. 96, plate 318; base: p. 96, plate 378.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 445 |
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A Tiffany Studios New York Favrile glass and patinated bronze table lamp, featuring an iridescent green shade in a leaf pattern atop a patinated bronze three-armed base. A similar shade and base are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, shade: p. 96, plate 318; base: p. 59, plate 214.
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Artist: Tiffany
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| Circa: 1903 |
| Base Signed: Tiffany Studios New York 322” and “S162 |
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A pair of Tiffany Studios New York “chain mail” sconces with green glass tiles set in a flexible metal framework meant to resemble European armor of the Middle Ages. All parts are original Tiffany and were created together at the Tiffany Studios New York. Similar sconces are pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 353, plate 1464.
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A Tiffany Studios New York patinated bronze "counter balance" desk lamp with statuary (acid etched) finish featuring a gold, yellow and green zippered Damascene shade. The Base also features a single arm “Ball and Petal” design. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 87, plate 342.
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Artist: TIffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 415 inscribed “H.C.B March 6, 1916” |
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A Tiffany Studios New York "Seven-light Lily" Favrile glass and patinated bronze table lamp. The lamp features seven golden Favrile glass “Lily” shades suspended above a patinated bronze “Lily Pad” base. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 80, plate 312.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 385 |
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A Tiffany Studios New York “Nautilus” table lamp with a silver bronze lined nautilus shade suspended within a gilt bronze figural base. The base is formed from a mermaid with outstretched arms emerging from a seascape. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 116, plate 487.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 636 |
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A Tiffany Studios New York “Nautilus” desk lamp that features a Nautilus shell suspended within a “Mermaid” base cast from a model by Louis Gudebrod. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 86, plate 336.
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A Tiffany Studios New York Favrile glass and bronze desk lamp, featuring a green “Damascene” shade with iridescent decoration suspended from within a decorated “Harp” base in a china red patina. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 88, plate 347.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 418 |
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A Tiffany Studios New York gilt bronze and Favrile glass "Turtleback Tile" desk lamp. A similar lamp is pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 88, plate 345.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: Tiffany Studios New York 413 |
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Tiffany Studios table lamp with a blown green iridescent Damascene glass shade in a patinated bronze “harp” base with ribbed foot. A similar shade and base are pictured separately in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, shade: p. 96, plate 318; base: p. 88, plate 349.
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Artist: Tiffany
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| Base Signed: Tiffany Studios New York 419 |
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A Tiffany Studios New York Favrile paperweight glass “Daffodil” vase. A vase with similar decoration is pictured in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, page 158.
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Artist: Tiffany
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| Signed: 3417 G L.C. Tiffany-Favrile |
| Circa: 1912 |
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A Tiffany Studios New York glass and bronze “Pineapple” candlestick, featuring a green Favrile blown glass bobeché atop a patinated bronze base. A similar candlestick is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 388, plate 1583.
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Artist: Tiffany
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| Signed: Tiffany Studios New York 43 570 |
| Circa: 1900 |
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A pair of Tiffany Studios New York single arm wall sconces with green iridescent tulip shades with pulled decoration A similar sconce is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club, 2007, p. 345, # 1434.
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A Tiffany Studios New York “Woodbine” leaded table lamp. The shade sits on a four footed patinated base. A dash number (-) designates a special order shade. Similar “Woodbine” shade pictured in: Tiffany Lamps and Metalware, An Illustrated Reference to Over 2000 Models, by Alastair Duncan, p.128, plate #1423. Similar base also in Duncan, p. 72, plate #278.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 28618” |
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Tiffany Studios "zodiac" table lamp with a blown green iridescent glass shade in a patinated bronze harp base decorated at the bottom with signs of the zodiac. A similar lamp is pictured in: Tiffany Desk Sets, by William R. Holland, Atglen, PA: Schiffer, 2008, p. 44, fig. 1-66.
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A Tiffany Studios New York natural shell and bronze “Nautilus” desk lamp, featuring a polished iridescent nautilus shell atop a patinated bronze “Scallop” base. A similar lamp is pictured in: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk: Antique Collectors’ Club Ltd., 2007, p. 86, plate 334.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 28630” Tiffany “Key” monogram |
| Circa: 1900 |
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Tiffany Studios “Tulip” table lamp with pink and red flowers on a blue and green ground, accented by two bands of glass, blue at the top and green at the bottom of the shade, respectively. The shade sits atop a four footed bronze "Pineapple" base. A similar lamp is pictured in: The Lamps of Tiffany, by Dr. Egon Neustadt, New York: The Fairfield Press, 1970, p. 129, plate 180.
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Artist: tiffany
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| Circa: 1900 |
| Base Signed: "Tiffany Studios New York 338” |
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A Tiffany Studios New York glass and bronze "Nasturtium" chandelier, featuring a leaded glass Favrile shade decorated with brilliant orange/red, orange/pink, yellow/orange and orange blossoms interspersed with green leaves on a cream trellis ground, hanging from a patinated bronze holder. Height is adjustable. Similar to, but with much better color than the lamp pictured in Louis Comfort Tiffany, by Jacob Baal-Teshuva, page. 130.
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A pair of Estate 18 karat gold and turquoise earrings by Schlumberger. The circular earrings center on a turquoise cabochon that is surrounded by crossover gold wire work.
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A Tiffany Studios New York glass and bronze “Daffodil” table lamp, featuring a leaded glass shade depicting daffodil flowers against a blue ground, atop a patinated bronze “Mock Turtle” base. Shade pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p.153, plate #1497.
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Artist: Tiffany
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| Circa: 1900 |
| Base Signed: “Tiffany Studios New York 28619” |
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A Tiffany Studios New York glass and bronze “Tulip” table lamp, featuring deep red and pink tulips on a green, brown and yellow ground, atop an unusual enameled copper base. Similar “Tulip” lamp pictured in: The Lamps of Louis Comfort Tiffany, by Martin Eidelberg and Nancy A. McClelland, p. 148, pl. 37.
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Artist: Tiffany
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| Circa: 1910 |
| Base Signed: “Tiffany Studios New York 333” |
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