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A French Art Nouveau carved mahogany armchair by Jacques Gruber. Exhibited at the Exposition de l'Ecole de Nancy in 1903. Pictured in: The Paris Salons v. 3 by Alastair Duncan, 1996, p. 276.
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A French Art Nouveau table by Emile Gallé, featuring a scene in marquetry of pondside plants.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau tri-cornered two-tier table by Louis Majorelle, featuring a top of inlaid marquetry depicting flowers and leaves.
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A French Art Nouveau vanity by Emile Gallé, featuring fruitwood marquetry on the lid and sides. The top of the vanity depicts an abstract landscape scene, the sun represented as a flower setting over a narrow river. The inside of the lid is also decorated with marquetry depicting flowers beside the mirror.
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Artist: Gallé
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| Signed: Gallé |
| Circa: 1900 |
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A French Art Nouveau rosewood two-tiered pedestal by Anthony Selmersheim.
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A French Art Nouveau games table by Emile Gallé, featuring inlaid marquetry when closed and open.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau salon suite, “Aubépines,” (hawthorn) by Louis Majorelle, consisting of a settee and two armchairs, featuring intricately carved legs and arms, upholstered in a tasteful Art Nouveau fabric. Pictured in: Louis Majorelle Master of Art Nouveau design, Harry N. Abrams, New York, Publishers, page 183 (plates 62 and 63) and in the 1906 Majorelle catalogue (Coin de Salon -- Sièges Aubépines) .
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A French Art Nouveau carved Brazilian rosewood salon suite by Edouard Colonna, consisting of a settee, an armchair and two side chairs. This salon suite was created for Siegfreid Bing's pavilion at the Paris 1900 Exposition Universelle. Pictured in: Art Nouveau Belgium/France, Rice University, page 175, and: Meubles et Ensembles Style 1900, by Edith Mannoni, Editions Charles Massin, 1968, p. 22.
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A French Art Nouveau suite of four chairs by Louis Majorelle, consisting of two armchairs and two side chairs. Similar chairs pictured in: Louis Majorelle, Master of Art Nouveau design by Alastair Duncan, Harry N. Abrams, New York, Publishers, 1991, page 76, color plate 62. These chairs were shown at the 1900 Exposition Universelle (see The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 381) and at the 1903 Exposition de l’Ecloe de Nancy in Paris (see The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 391).
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A French Art Nouveau mahogany desk by Selmersheim, featuring original bronze drawer pulls.
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A French Art Nouveau desk by Emile Gallé, featuring a fruitwood marquetry writing surface.
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Artist: Gallé
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| Circa: 1895 |
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A French Art Nouveau two-tiered carved wood and marquetry table by Louis Majorelle. This three-sided table features a sunflower marquetry motif on the upper tier and a marquetry leaf pattern on the triangular-shaped lower tier. A model of this table is in the permanent collection of the Musée de l’Ecole de Nancy. Similar table pictured in: Meubles et Ensembles: Style 1900, by Edith Mannoni, page 59; Louis Majorelle Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 204, pl. 131.
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A French Art Nouveau mirror by Hector Guimard, featuring elaborate faux painting to resemble mahogany with gilt trim.
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A French Art Nouveau wooden two-tier table by Emile Gallé, featuring inlaid marquetry on the top and intricate carvings in a vegetal motif on the bottom panel.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau two-tiered marquetry table by Louis Majorelle, featuring water lilies in fruitwood marquetry, further adorned with carved bronze handles in a clematis design. Pictured in: Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue), page 51; The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 382 (Side tables, Exposition Universelle 1900); and Louis Majorelle, Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 58.
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A French Art Nouveau tri-cornered table by Louis Majorelle, featuring an inlaid marquetry top with an abstract vegetal motif.
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A French Art Nouveau two-tier table by Louis Majorelle, featuring fruitwood marquetry in a floral design depicting orchids. Pictured in The Paris Salons 1895-1914, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club Publishers, page 382, and described as “side table, Exposition Universelle 1900”.
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A French Art Nouveau games table by Emile Gallé, featuring inlaid fruitwood marquetry depicting thistles and card suit symbols.
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Artist: Gallé
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| Signed: ‘Gallé a Nancy” |
| Circa: 1895 |
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A French Art Nouveau desk by Selmersheim, in rosewood featuring four drawers with bronze floral pulls.
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A French Art Nouveau vitrine, “Aux Pommes de Pin,” by Louis Majorelle, featuring carved leaves and branches in relief.
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Artist: Majorelle
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| Signed: “Majorelle” |
| Circa: 1900 |
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A French Art Nouveau "Japonisme" cabinet by Emile Gallé, decorated in marquetry with an inlaid bird and foliage, carved ombelle flowers and stems in an asymmetrical floral design. Identical piece in the permanent collection of the Musee D'Orsay, Paris, France. From the private collection of Barbra Streisand. Pictured in: Japonisme: Japanese Influence on French Art 1854-1910 by the Cleveland Museum of Art, p. 190.
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Artist: Gallé
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| Signed: Gallé |
| Circa: 1900 |
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A French Art Nouveau desk by Maurice Dufrène in pear wood with bronze handles with a seashell motif.
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A French Art Nouveau mahogany armchair by Louis Majorelle, featuring gilt-bronze sabots and upholstered in green fabric. Similar chair pictured in: Louis Majorelle, by Victor Arwas, page 116 and in a dining room scene in Majorelle, by Roselyne Bouvier, La Bibliothèque des Arts, Paris, Publishers, page 117.
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A French Art Nouveau two-tier mahogany table by Louis Majorelle, featuring gilt bronze handles and sabots. Identical piece pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue) and in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, Inc., Publishers, New York, page 103.
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A French Art Nouveau tri-cornered table by Emile Gallé, the top in the fleur-de-lys form, decorated with "cabbage" fruit wood marquetry in a forest motif and intricately carved leaves as faux support beams.
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Artist: Gallé
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| Signed: "Emile Gallé Nancy" |
| Circa: 1890 |
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A French Art Nouveau armchair, "Aux Algues” (seaweed) by Louis Majorelle, with carved arms depicting aquatic sea life, upholstered in green fabric. Pictured in Majorelle: Une Aventure Moderne, by Roselyne Bouvier, La Bibliothéque des Arts, Paris, Publishers, page 82 (plate 78), in an image described as the office of M. Houtot, a notary, at 7 rue Chanzy, Nancy.
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A French Art Nouveau armchair by Louis Majorelle, featuring stylized poppy buds at the top and twisted front legs, upholstered in modern Art Nouveau-style green fabric. A similar chair is pictured in: Art Nouveau: The French Aesthetic, by Victor Arwas, Andreas Papadakis, London, Publishers, page 304.
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A French Art Nouveau carved courbaril and mahogany desk with fruitwood marquetry by Louis Majorelle. This ornately carved wooden desk features a trefoil-patterned marquetry back, gilt bronze mounts on the five drawers and carved wood "lily pad" feet. This desk was a special commission for the Fourcade family, southern France. A similar piece is pictured in The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 399.
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A French Art Nouveau mahogany bed with rosewood panels by Eugène Gaillard. This model was designed for the bedroom of the Maison de L’Art Nouveau Bing at the Exposition Universelle of 1900 in Paris. Pictured in: The Paris Salons v.3, p. 208, and: Art Nouveau Bing- Paris Style 1900, p. 189, plate 182.
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A French Art Nouveau carved walnut upholstered armchair, "Aux Pins," by Louis Majorelle. The chair has carved wooden sections depicting pine cones, a recurring motif in Majorelle's naturalist vocabulary. A similar chair appears in the 1906 Majorelle catalogue (Cabinet de Travail “Les Pins” ) and in The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 407.
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A French Art Nouveau, "Fougères," vitrine with carved fern decoration in mahogany and burl walnut by Louis Majorelle. The carved ferns adorning the top of the vitrine cleverly make reference to the long tradition, going back to classical times, of acanthus leaf decoration appearing on the capitals of Corinthian columns.
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A French Art Nouveau table by Louis Majorelle. The table top is decorated with marquetry featuring leaves and flowering vines in fruitwood marquetry. The marquetry sides of the the table are ornamented with a band of irises.
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Artist: Majorelle
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| Signed: “L Majorelle” |
| Circa: 1900 |
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A French Art Nouveau desk and armchair suite by Camille Gauthier & Paul Poinsignon, featuring organically stylized carved French oak with a veneer of Hungarian ash, intricate bronze drawer pulls and a hand-carved original leather surface. The desk and chair both have the same carved and pierced flower design.
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A French Art Nouveau table by Leon Jallot, featuring ornately carved flowers and leaves on the corners.
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A French Art Nouveau wooden desk swivel armchair by Eugène Vallin.
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A French Art Nouveau wooden cabinet by Louis Majorelle, featuring three panels of inlaid marquetry depicting branches with leaves, and moths or butterflies.
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A French Art Nouveau desk by Louis Majorelle, featuring carved mahogany with twisted front legs, two drawers with grape-motif bronze fittings, and the original leather top. Pictured in: Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, Inc., Publishers, New York, page 202. Identical desk pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue).
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A French Art Nouveau desk by Louis Majorelle, featuring five drawers on the front and a finished veneered back. Similar desks are pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue).
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A French Art Nouveau two-tier wooden pedestal by Louis Majorelle, featuring a clover-shaped second tier. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue) .
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A French Art Nouveau triangular table by Louis Majorelle, featuring bronze sabots on the legs.
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A French Art Nouveau two-tiered table by Louis Majorelle, featuring inlaid marquetry depicting sunflowers on the upper tier, and a leaf pattern on the lower. A model of this table is in the permanent collection of the Musée de l’Ecole de Nancy. Similar table pictured in: Meubles et Ensembles: Style 1900, by Edith Mannoni, page: 59; Louis Majorelle Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 204, pl. 131.
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Artist: Majorelle
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| Signed: “L. Majorelle Nancy” |
| Circa: 1900 |
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A French Art Nouveau vanity by Gauthier, featuring inlaid marquetry depicting a natural landscape scene. The intricately carved vanity is further enhanced by original bronze drawer pulls in a floral motif.
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A French Art Nouveau mahogany table by Louis Majorelle, featuring bronze sabots on the legs. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue).
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A French Art Nouveau mahogany desk by l’Ecole de Nancy, featuring a hand-tooled leather top, letter rack and bronze drawer pulls with a floral motif.
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A French Art Nouveau two-tier table by Emile Gallé, featuring inlaid marquetry depicting a natural landscape in a combination of rosewood, walnut and fruitwoods. The table is further complemented by bronze handles, cast to represent stylized branches.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau mahogany and walnut buffet by Paul Bec, featuring two leaded glass doors depicting leaves and flowers. Similar buffet pictured in: The Paris Salons 1895 - 1914: Volume III: Furniture, by Alastair Duncan, page 48. The furniture mounts are pictured on page 148 of The Paris Salons 1895-1914: Volume V: Objets d’Art & Metalware.
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A French Art Nouveau walnut armchair by Louis Majorelle, featuring sinuously curved arms and legs. The top of the chair is decorated with an intricately carved floral motif.
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A French Art Nouveau lady’s writing desk, “Aux Ombelles,” by Emile Gallé, featuring fruitwood marquetry depicting a landscape with ombelles carved in a pierced top.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau two-tier marquetry wood table with bronze handles, by Emile Gallé, depicting flowers and butterflies in inlaid wood.
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Artist: Gallé
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau mahogany table by Louis Majorelle, featuring a detailed border on the top tier and bronze sabots on the legs. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue).
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A French Art Nouveau two-tier tri-cornered table by Louis Majorelle, featuring bronze sabots and a bronze edge on the top tier. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue); in The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 409 (Living room, La Société des Artistes Décorateurs, 1906); and in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 208 (Guéridon, model no. 250).
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A pair of French Art Nouveau mirrors by Louis Majorelle.
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A French Art Nouveau bookcase by Emile Gallé, featuring inlaid fruitwood marquetry, depicting flying butterflies on three interior panels.
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Artist: Galle
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| Signed: “Gallé” |
| Circa: 1900 |
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A French Art Nouveau table by Louis Majorelle in carved mahogany and bird’s eye maple with parcel gilt floral details. The identical table is pictured in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 102 (Occasional tripod table with gilt-bronze mounts).
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A French Art Nouveau marble-top pedestal in carved walnut with square, inset top supported on four undulating legs with high small shelf and joined by a circular shelf stretcher with shaped paneling, on splayed feet.
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A French Art Nouveau writing table by Henri Sauvage. This table was created with the curvilinear design that this architect is famous for.
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A French Art Nouveau two-tier tri-cornered table by Louis Majorelle, featuring bronze sabots adorning the feet and a bronze edge encircling the top tier. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue); in The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 409 (Living room, La Société des Artistes Décorateurs, 1906); and in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 208 (Guéridon, model no. 250).
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A French Art Nouveau walnut vitrine from L’ Ecole de Nancy. The curvelinear line encompasses the vine and pond lily motif, emphasizing the aesthetic philosophy of the period. Vitrines were frequently used to display ceramics, bronzes and art-glass.
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A pair of French Art Nouveau carved wood "Fougères" side chairs by Louis Majorelle, with carved fern decoration. Pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue), The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 409 (living room, La Société des Artistes Decorateurs, 1906), and in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers,, p.173, cat. 26.
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A pair of French Art Nouveau side chairs, by Gaillard, in carved mahogany with green fabric upholstery. Formerly in the collection of the Chrysler Museum of Art.
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A pair of French Art Nouveau marquetry armchairs by Louis Majorelle, featuring inlaid marquetry on the chair backs in a floral motif, and carved “duck bill” arms. Similar example pictured in: Louis Majorelle: Master of Art Nouveau design by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 107.
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A French Art Nouveau upholstered armchair by Louis Majorelle. Similar chairs pictured in Louis Majorelle Master of Art Nouveau design by Alaistar Duncan, Abrams, NY, 1991, page 171, plate 20
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A French Art Nouveau wooden night table by Louis Majorelle, featuring a magnificent inlaid marquetry desk top and curvilinear legs.
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A pair of French Art Nouveau side chairs by Vallin. Featuring a carved mahogany “Wheat” patterned motif and leather upholstery. Similar chairs are pictured in: The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 555 (Dining room, collection of Eugène Corbin, Le Salon d’Automne, 1910).
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A French Art Nouveau games table by Louis Majorelle, featuring an inlaid marquetry top and three leafed clover carved legs. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue).
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A French Art Nouveau walnut vitrine, featuring clemantis-patterned marquetry carved in ash and rosewood.
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A French Art Nouveau walnut and mahogany table by Louis Majorelle, featuring a detailed border on the top tier and bronze sabots on the legs. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue).
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Rare gilt bronze table by Tiffany Studios New York. A similar table is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 400, plate 1620, # 889.
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A pair of French Art Nouveau upholstered walnut armchairs, “Attacia”, by Louis Majorelle Pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue) and in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 178.
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A French Art Nouveau fruitwood framed mirror aux clématites by Louis Majorelle. The delicate and ornate wood carvings beautifully capture the intricate vines and blossoms of the clematis flower. The frame can either be used for a mirror or as a picture frame.
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A pair of French Art Nouveau carved side chairs by Eugène Gaillard, featuring detailed carvings of acanthus leaves scrolling up the sides. A similar chair is pictured in:
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A French Art Nouveau tri-cornered mahogany table by Louis Majorelle. Both tiers are finished with precious wood veneer and the legs are ornamented with gilt-bronze ormolu orchid moldings. This table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue).
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Artist: Majorelle
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| Signed: Majorelle Nancy |
| Circa: 1900 |
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A pair of French Art Nouveau beachwood armchairs by Louis Majorelle. The chairs feature curved leather seats, twisted curvilinear arms as well as backrests ornamented with floral openwork decoration inset with gilded brass. Similar chairs pictured in: "The moderne Stil" by Julius Hoffmann Jr., Arnoldsche, Stuttgart, 2006, page 73. "L'Art Décoratif", 1st edition, March 1898, Paris, page 166.
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A French Art Nouveau marquetry walnut and macassar ebony salon table by Louis Majorelle. Pictured in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, Harry N. Abrams, New York, Publishers, page 204 (plate 131, Salon furniture).
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French Art Nouveau carved wood desk by Louis Majorelle. This carved walnut desk features a back with a lakeside scene in fruitwood marquetry, floral finials, and two tiered letterholders.
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A French Art Nouveau carved side chair by Eugène Gaillard, featuring detailed carvings of acanthus leaves scrolling up the sides, with a contemporary Art Nouveau-design silk fabric. A similar chair is pictured in: The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 215 (side chair, published 1908).
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French Art Nouveau dining suite, by Louis Majorelle, in walnut carved in “Chicorée” motif. The suite consists of a table with two leaves and six side chairs. Identical pieces pictured in the Majorelle catalogue of 1906. A similar example of this set, without marquetry, is part of the collection of the Minneapolis Institute of Art. Prior to being donated to this collection it was part of the Northwest Collection and pictured in, Modernism: Modernist Design 1880-1940, by Alastair Duncan, page18.
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A French Art Nouveau etagere by Emile Gallé with dragonflies in marquetry on the shelves and back panel and additional organic carved forms comprising the structural elements of the piece. Provenance: Elizabeth Taylor
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Artist: Galle
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| Signed: Gallé |
| Circa: 1900 |
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A French Art Nouveau upholstered beech wood armchair “Les Algues” by Louis Majorelle featiromg carved algae plants on the legs and arms.
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A French Art Nouveau walnut desk by Louis Majorelle. The rectangular desktop has two front drawers and four twisted legs all decorated with carved thistles and leaves.
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Artist: Majorelle
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| Signed: L. Majorelle Nancy |
| Circa: 1900 |
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A French Art Nouveau walnut pedestal attributed to Emile André, featuring sinuous legs with understated organic carvings.
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Artist: André
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| Circa: 1900 |
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A French Art Nouveau mahogany center table by Louis Majorelle, the rounded top above a slightly bowed frieze, over downswept tapering channeled legs joined by a conforming undertier, ending in attenuated foliate cast sabots. A similar table is pictured in Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue) .
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A French Art Nouveau lounge chair by Louis Majorelle.
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A French Art Nouveau oak and mahogany table featuring inlaid marquetry by Louis Majorelle.
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Artist: Majorelle
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| Signed: L. Majorelle Nancy |
| Circa: 1900 |
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A French Art Nouveau two-door serpentine cabinet with shelves in walnut, palisander and tulip wood by Louis Majorelle featuring extravagant floral woodcarving and flora inlays. Pictured in Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, New York: Harry N. Abrams, 1991, page 61, color plate 23.
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Artist: Majorelle
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| Signed: L. Majorelle, Nancy |
| Circa: 1900 |
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A French Art Nouveau marquetry cabinet by Louis Majorelle with depictions of iris flowers on the front panel.
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A French Art Nouveau two-tiered mahogany sellette by Émile André, featuring sinuous table legs carved to look like stems that culminate in three carved leaves under the tabletop. Circa 1900. Pictured in: Art Nouveau: Belgium France, by Yvonne Brunhammer, page 155. Art Nouveau The French Aesthetic, by Victor Arwas, page 322. Exhibited: Exposition École de Nancy, 1903.
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A pair of French Art Nouveau carved wood "Ombellifères" armchairs by Louis Majorelle with flower and leaf decoration and patterned upholstery with matching settee. Circa 1900. Similar furniture pictured in Majorelle: Master of Art Nouveau, by Alastair Duncan, p.172, cat. 21-4.
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