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A French Art Nouveau desk and armchair suite by Camille Gauthier & Paul Poinsignon, featuring organically stylized carved French oak with a veneer of Hungarian ash, intricate bronze drawer pulls and a hand-carved original leather surface. The desk and chair both have the same carved and pierced flower design.
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A French Art Nouveau salon suite, “Aubépines,” (hawthorn) by Louis Majorelle, consisting of a settee and two armchairs, featuring intricately carved legs and arms, upholstered in a tasteful Art Nouveau fabric. Pictured in: Louis Majorelle Master of Art Nouveau design, Harry N. Abrams, New York, Publishers, page 183 (plates 62 and 63) and in the 1906 Majorelle catalogue (Coin de Salon -- Sièges Aubépines) .
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A French Art Nouveau carved Brazilian rosewood salon suite by Edouard Colonna, consisting of a settee, an armchair and two side chairs. This salon suite was created for Siegfreid Bing's pavilion at the Paris 1900 Exposition Universelle. Pictured in: Art Nouveau Belgium/France, Rice University, page 175, and: Meubles et Ensembles Style 1900, by Edith Mannoni, Editions Charles Massin, 1968, p. 22.
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A French Art Nouveau suite of four chairs by Louis Majorelle, consisting of two armchairs and two side chairs. Similar chairs pictured in: Louis Majorelle, Master of Art Nouveau design by Alastair Duncan, Harry N. Abrams, New York, Publishers, 1991, page 76, color plate 62. These chairs were shown at the 1900 Exposition Universelle (see The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 381) and at the 1903 Exposition de l’Ecloe de Nancy in Paris (see The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 391).
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French Art Nouveau dining suite, by Louis Majorelle, in walnut carved in “Chicorée” motif. The suite consists of a table with two leaves and six side chairs. Identical pieces pictured in the Majorelle catalogue of 1906. A similar example of this set, without marquetry, is part of the collection of the Minneapolis Institute of Art. Prior to being donated to this collection it was part of the Northwest Collection and pictured in, Modernism: Modernist Design 1880-1940, by Alastair Duncan, page18.
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An American Mid-Century 18 karat gold and turquoise bracelet and earring suite by David Webb. The bracelet features alternating carved gold acorns with cabochon turquoise and gold pinecones. Each earring features two gold and turquoise pinecones.
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Artist: David Webb
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| Signed: Webb 18kt |
| Circa: 1950's |
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A pair of French Art Nouveau carved wood "Ombellifères" armchairs by Louis Majorelle with flower and leaf decoration and patterned upholstery with matching settee. Circa 1900. Similar furniture pictured in Majorelle: Master of Art Nouveau, by Alastair Duncan, p.172, cat. 21-4.
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