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| Search Results for "picture frame" |
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A French Art Nouveau fruitwood framed mirror aux clématites by Louis Majorelle. The delicate and ornate wood carvings beautifully capture the intricate vines and blossoms of the clematis flower. The frame can either be used for a mirror or as a picture frame.
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A French Art Nouveau lithograph, “Flirt Biscuits”, by Alphonse Mucha. “Flirt” was one of the brands of biscuits made by Lefevre-Utile who gave Mucha a number of commissions over the years. The added text “Grand Prix - Paris 1900” was placed in later versions of this display poster. Circa 1900. Framed with UV Plexiglass. Pictured in, Alphonse Mucha, The Complete Posters and Panels, by Jack Rennert and Alain Weill, G.K. Hall & Co., Publishers, Boston, pages 262-263.
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Artist: Mucha
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| Signed: Mucha |
| Circa: 1899 |
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A French Art Nouveau lithograph, "Lorenzaccio", by Alphonse Mucha. The poster was designed by Mucha for the play "Lorenzaccio", written by Alfred de Musset, about the Medici family in 16th century Florence, in which Sarah Bernhardt played the title role. The poster shows Lorenzaccio considering how to kill Alessandro de’ Medici, his cousin, who is besieging the city. The dragon above represents the city of Florence (its emblem appears by the dragon’s mouth). The ornate, jeweled sword in the bottom panel, above the theater’s name, represents a possible solution to Lorenzaccio’s dliemma. Signed lower right-hand corner. Pictured in Alphonse Mucha: The Complete Posters and Panels, by Jack Rennert and Alain Weill, G.K. Hall & Co., Publishers, Boston, pages 107-109, cat. 20. Framed.
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Artist: Mucha
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| Signed: “Mucha” |
| Circa: 1896 |
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A French Art Nouveau lithograph, "Lorenzaccio", by Alphonse Mucha. The poster was designed by Mucha for the play "Lorenzaccio", written by Alfred de Musset, about the Medici family in 16th century Florence, in which Sarah Bernhardt played the title role. The poster shows Lorenzaccio considering how to kill Alessandro de’ Medici, his cousin, who is besieging the city. The dragon above represents the city of Florence (its emblem appears by the dragon’s mouth). The ornate, jeweled sword in the bottom panel, above the theater’s name, represents a possible solution to Lorenzaccio’s dliemma. Signed lower right-hand corner. Pictured in Alphonse Mucha: The Complete Posters and Panels, by Jack Rennert and Alain Weill, G.K. Hall & Co., Publishers, Boston, pages 107-109, cat. 20. Framed.
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Artist: Mucha
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| Signed: “Mucha” |
| Circa: 1896 |
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A French Art Nouveau lithograph, “Lance Parfum Rodo,” by Alphonse Mucha. This is one of Mucha’s earlier posters, advertising a new spray-bottle perfume. “Rodo” was first placed on the market in 1896, and registered as a trademark in 1898. Pictured in: Alphonse Mucha: The Complete Posters and Panels by Jack Rennert and Alain Weill, G.K. Hall & Co., Publishers, Boston, pages 80-81, cat. 14. Framed with UV Plexiglass.
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Artist: Mucha
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| Signed: “Mucha” |
| Circa: 1896 |
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A Tiffany Studios New York bronze picture frame in the Pine Needle pattern with an square center and beaded trim, mottled amber and opaque colored glass. A similar picture frame is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 467, plate 1841, #947.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 916” |
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A Tiffany Studios New York bronze picture frame in the Pine Needle pattern with an square center and beaded trim, mottled amber and opaque colored glass. A similar picture frame is pictured in: Tiffany Lamps and Metalware - An Illustrated Reference to over 2000 Models, by Alastair Duncan, Antique Collectors’ Club, Woodbridge, Suffolk, 2007, p. 467, plate 1841, #947.
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Artist: Tiffany
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| Signed: “Tiffany Studios New York 916” |
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A Tiffany Studios New York patinated bronze “Lily Pad” dressing mirror with a lily pad base and twisted vine frame. Pictured in “Tiffany Lamps and Metalware: an illustrated reference to over 2000 models” by Alastair Duncan, page 402, plate 1633, #899.
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