A French Art Nouveau rosewood two-tiered pedestal by Anthony Selmersheim. A similar pedestal is pictured in: The Paris Salons 1895-1915, Vol. III: Furniture, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors’ Club, 1996, p. 464.
A French Art Nouveau two-tier wooden pedestal by Louis Majorelle, featuring a clover-shaped second tier. A similar table is pictured in “Majorelle - Nancy: décorations d’intérieurs: meubles, tentures, bronzes, ferronneries” (the 1906 Majorelle catalogue).
A French Art Nouveau walnut pedestal attributed to Emile André, featuring sinuous legs with understated organic carvings. A similar pedestal is pictured in “The Paris Salons 1895-1915, Vol. III: Furniture”, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors’ Club, 1996, p. 40 (Exposition de l’Ecole de Nancy, Paris, 1903).
French Art Nouveau three-tier tri-cornered pedestal, by Louis Majorelle, in carved walnut with pond lily fruitwood marquetry.
|Signed: L. Majorelle Nancy|
A French Art Nouveau selette by Louis Majorelle featuring a carved fern pattern crest.
A Tiffany Studios New York Art Nouveau Favrile glass pedestal vase. Iridescent sepia body with iridescent gold shoulders featuring a sage-green and beige ‘Tel el Armana” motif.A similar vase is pictured in: Louis Comfort Tiffany at Tiffany & Co., by John Loring, New York: Harry N. Abrams, Inc., 2002, p. 160.
|Signed: L.C.Tiffany Favrile #2711M|
A French Art Nouveau marble-top pedestal in carved walnut with square, inset top supported on four undulating legs with high small shelf and joined by a circular shelf stretcher with shaped paneling, on splayed feet. A similar pedestal is pictured in: The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 211 (La Société Nationale des Beaux-Arts, 1902).